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A Love Affair of Sorts

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- 50/100 based on 33 votes

In Los Angeles during the holiday season. David (David Guy Levy), a painter, and Enci (Lili Bordán), a Hungarian nanny, meet in a bookstore when he catches her shoplifting on his ever-present flip camera. As they start a tentative relationship, he captures it all on his digital camera, though nothing about the situation is as straightforward as it seems.... (Full plot summary below)

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Full Plot Details

In Los Angeles during the holiday season. David (David Guy Levy), a painter, and Enci (Lili Bordán), a Hungarian nanny, meet in a bookstore when he catches her shoplifting on his ever-present flip camera. As they start a tentative relationship, he captures it all on his digital camera, though nothing about the situation is as straightforward as it seems.

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Movie Reviews

Shockya.com - 7/10 by Brent SimonAn occasionally intriguing navel-gazing misfire, but its unverifiable claim to be the first feature film shot entirely on flip cameras eventually comes across as nothing more than an excuse for stylistic sloppiness.
New York Post - 5/10 by V.A. MusettoLevy's innovative movie should appeal to mumblecore fans while perplexing mainstream audiences.
Chicago Sun-Times - 4/10 by Roger EbertIt's a shaky-cam meander through an unconvincing relationship, with detours considering the process of making the film. At 91 minutes, it seems very long.
Chicago Reader - 3/10 by Michael WilmingtonIndie moviemaking reaches some kind of awful zenith of self-indulgence in this scriptless drama, entirely improvised and shot on cellphones.
The A.V. Club - 3/10 by Alison WillmoreInfuriatingly navel-gazing and insubstantial.
The New York Times - 3/10 by Neil GenzlingerThe real problem here, though, is that noting the it's-all-about-me nature of modern life already feels like a point that no longer needs making. Yeah, we're self-absorbed and shallow; so what else is new?
Los Angeles Times - 3/10 by Robert AbeleThough the title hints at a tale of infatuation, Levy sheds little light on interpersonal conflict or why we're such an addictively self-documenting modern society.
Time Out - 2/10 by Nick SchagerSelf-aware narcissism has rarely been this unjustified-or insufferable.
Variety - 2/10 by Ronnie ScheibTedious enough to serve as a cautionary example of the pitfalls of DIY filmmaking.
Village Voice - 2/10 by Nick PinkertonIt is part of the film's premise that the movies are only a pretext to serve personal needs. Given how little the murky finished product offers an outside audience, this comes across all too convincingly.

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A Love Affair of Sorts