The End of Love
The End of Love

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- 59/100 based on 1,836 votes

Mark is an actor, recently widowed and the father of two year old Isaac. Beyond Mark's time with Isaac who he truly loves, Mark's life is a mess. He is struggling as an actor, always hoping but somewhat delusional about his chances at getting the acting jobs for which he's auditioned. He makes no attempt at earning a living in any other manner. As such, he often needs to borrow money from his friends, always saying that the money will be returned soon. They share an apartment... (Full plot summary below)

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Actors in The End of Love:

Mark Webber
Isaac Love
Shannyn Sossamon
Amanda Seyfried
Jason Ritter
Michael Cera

Full Plot Details

Mark is an actor, recently widowed and the father of two year old Isaac. Beyond Mark's time with Isaac who he truly loves, Mark's life is a mess. He is struggling as an actor, always hoping but somewhat delusional about his chances at getting the acting jobs for which he's auditioned. He makes no attempt at earning a living in any other manner. As such, he often needs to borrow money from his friends, always saying that the money will be returned soon. They share an apartment with Tim and Ray - it being Tim's apartment - and are behind in paying Tim rent, their share which Tim has to cover in the meantime. Mark wants to lead the Hollywood actor life, which is made all the more difficult in being Isaac's sole caregiver. Mark has intimacy issues stemming solely from the last encounter he had with his wife before her tragic accidental death. All these issues combined lead to Mark not being able to provide Isaac with much of a life, again beyond the time that they are able to spend together. Mark's life may take a turn when he and Isaac meet Lydia, the owner/operator of a children's playspace. Lydia is a single mother herself of adolescent Bebel. Mark and Lydia are attracted to each other. Lydia's life is more put together than Mark's, and their relationship may have that hurdle of Mark's intimacy issue to survive.

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Movie Reviews

Film.com - 9/10 by William GossFeels like the navel-gazing West Coast answer to the more caustic East Coast sensibility of the recent Daddy Longlegs.
Chicago Sun-Times - 9/10 by Charlie SchmidlinThis is Webber's flawed but treasured document of his son, an attempt to share a portrait of their developing relationship, and — later on — a chance for Isaac to see his dad's parental reflections captured on-screen.
The Playlist - 8/10 by James RocchiThe End of Love is hardly a work of revelation. At the same time, it's surprisingly well-executed, nicely performed and manages to combine a warm and gentle sense of the rhythms of life with a cold and bright-eyed look at the world and its lead's flaws and character.
Los Angeles Times - 8/10 by Gary GoldsteinAn exceptionally intimate, human-scaled picture. It's also quite a special piece of work.
Paste Magazine - 7/10 by Jeremy MathewsThose willing to drift along with it will find a compelling character study about a man coming to terms with himself, his son, and the people who enter their lives.
Indiewire - 7/10 by Eric KohnThere are powerful ingredients here, certainly enough to create a deeply felt work, but The End of Love lacks the additional layers of storytelling necessary for Webber to make the audience feel as close to the material as he does to his son.
The Hollywood Reporter - 7/10 by David RooneyWebber’s key influence appears to be ultra-naturalistic contemporary European cinema, most specifically French, and The End of Love hits that mark often enough to make it affecting.
AV Club - 7/10 by Sam AdamsShot with tiny digital cameras to minimize the sense of intrusion, The End Of Love sometimes feels like a home movie, but that’s also the source of its strength.
Blu-ray.com - 6/10 by Brian OrndorfWebber appears to be making an audition tape with his second directorial effort, using screen time to display a range of moods and dramatic encounters that could go on to secure future jobs for the actor.
Chicago Reader - 6/10 by Drew HuntCreative people often mistakenly assume that the trials of their profession are compelling.

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