Urban Legends: The Final Cut follows Amy Mayfield (Morrison), a student at Alpine University who struggles to complete her thesis film on urban legends - only to have her crew members fall prey to fatal 'accidents.' Suspicious, Amy investigates and discovers a much more sinister hand at work. Now she must unmask the killer before she, too, becomes an urban legend.... (Full plot summary below)
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Urban Legends: The Final Cut follows Amy Mayfield (Morrison), a student at Alpine University who struggles to complete her thesis film on urban legends - only to have her crew members fall prey to fatal 'accidents.' Suspicious, Amy investigates and discovers a much more sinister hand at work. Now she must unmask the killer before she, too, becomes an urban legend.
Leave your thoughts about Urban Legends: Final Cut.
| Time OutGeoff AndrewThis horror sequel opens with an out of control passenger plane, then plummets to intellectual ground zero. |
| ESplatterSteve BiodrowskiAs in the original, the essential effectiveness of urban legends is subverted by the usual slasher movie conventions. |
| Film.comGemma FilesBasically a dressed-up piece of drivel, a self-referential pseudo-thriller with pretensions to pretensions of classic Hollywood suspense. |
| Shadows on the WallRich ClineThis is pleasantly much less insulting than most films in the genre ... and far more entertaining than it has any right to be after its dire predecessor. |
| TheFilmFile.comDustin PutmanA relatively classy horror picture, and director John Ottman has proven that he can successfully cross over from being, not only a gifted composer, but also a respectable filmmaker. |
| Film FrenzyMatt BrunsonIt's more of the same, but the setting of a prestigious film school allows for the employment of all manner of in-jokes and homages. |
| Film Journal InternationalEric MonderUrban Legends: Final Cut will not win the story's coveted Hitchcock award, since all the scares are made up of sudden surprises without suspense, and there's nothing special about the production quality, either. |
| Chicago Sun-TimesRoger EbertHas slick production credits and performances that are quite adequate given the (narrow) opportunities of the genre. |
| CheckOut.comEd ScharfHey, 'ja ever hear the one about the guy who was forced to watch yet another teen ensemble slasher flick? You know, the one where the guy can't take it any more, so he runs from the theater screaming? |
| Salon.comMary Elizabeth WilliamsPredictable, gratuitous and just self-referential enough to believe itself hip and knowing. |
