In suburban Reston, Virginia, George Washington University American History professor Michael Faraday is still mourning the death of his wife, FBI agent Leah Faraday, after three years. His inside knowledge of the agency colors what he teaches in his classes. Although on good terms with Leah's ex-partner, Whit Carver, and the agency in general, Michael wants the agency at least to acknowledge their responsibility in her death in the line of duty. Michael is moving on with his... (Full plot summary below)
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In suburban Reston, Virginia, George Washington University American History professor Michael Faraday is still mourning the death of his wife, FBI agent Leah Faraday, after three years. His inside knowledge of the agency colors what he teaches in his classes. Although on good terms with Leah's ex-partner, Whit Carver, and the agency in general, Michael wants the agency at least to acknowledge their responsibility in her death in the line of duty. Michael is moving on with his personal life, he being in a serious relationship with his former teaching assistant Brooke Wolfe. Although he likes Brooke, Michael and Leah's nine year old son, Grant Faraday, may not yet be quite ready for Brooke to be a permanent part of their lives. It is only in helping adolescent Brady Lang who he sees in medical distress that Michael meets his new neighbors, Oliver and Cheryl Lang, Brady's parents. In the process, Michael and Brooke becomes friends with the Langs, as Grant and Brady become friends. However, the more time that he spends with them and catches discrepancies in their stories, Michael becomes suspicious that the Langs may not be everything they appear on the surface. As such, Michael, against Brooke's concerns of invasion of the Lang's privacy, begins his own investigation of Oliver in particular. What Michael discovers has serious national security implications, as well as possible life threatening dangers to him, Brooke and Grant.
Leave your thoughts about Arlington Road.
| eFilmCritic.comRob GonsalvesDarker and more intimate than you expect. |
| Los Angeles TimesKevin ThomasArlington Road belongs to that splendid Hollywood tradition of dealing with serious, timely issues in the form of a suspense thriller. |
| Spirituality and PracticeFrederic and Mary Ann BrussatA gripping political thriller about the dangers of domestic terrorism and the paranoia of those who see danger everywhere. |
| Boxoffice MagazineChristine JamesRobbins and Cusack are deviantly delightful! |
| rec.arts.movies.reviewsDavid N. ButterworthThe only sequence more shocking than the film's disturbing opener is its last. |
| San Francisco ChronicleBob GrahamAlthough it takes something of a slog to get there, this thriller finally comes through where it counts. |
| FromTheBalconyBill ClarkA tight, well-rounded piece of suspense/thriller filmmaking with an electric performance by Bridges. |
| EmanuelLevy.ComEmanuel LevyThe premise is intriguing and the acting of Bridges and Robbins is decent, but the director Pellington's execution leaves much to be desired. |
| Entertainment WeeklyLisa SchwarzbaumSlippery issues about trust, parental responsibility, and the inalienable American right to personal and political freedom are ceded to Hollywood's inalienable right to stage high-pitched chase scenes and a shocking big finish. |
| VarietyTodd McCarthyAn intelligent, insidiously plotted Hitchcockian thriller directed in souped-up, modern expressionistic style. |
