The Quiet Man
The Quiet Man

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Sean Thornton has returned from America to reclaim his homestead and escape his past. Sean's eye is caught by Mary Kate Danaher, a beautiful but poor maiden, and younger sister of ill-tempered "Red" Will Danaher. The riotous relationship that forms between Sean and Mary Kate, punctuated by Will's pugnacious attempts to keep them apart, form the main plot, with Sean's past as the dark undercurrent.... (Full plot summary below)

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Full Plot Details

Sean Thornton has returned from America to reclaim his homestead and escape his past. Sean's eye is caught by Mary Kate Danaher, a beautiful but poor maiden, and younger sister of ill-tempered "Red" Will Danaher. The riotous relationship that forms between Sean and Mary Kate, punctuated by Will's pugnacious attempts to keep them apart, form the main plot, with Sean's past as the dark undercurrent.

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Movie Reviews

Classic Film and Television - 10/10 by Michael E. GrostBrilliantly photographed romantic comedy.
BBC - 10/10 by Almar HaflidasonWayne and O'Hara create a fine rapport, with good performances that build to a truly satisfying climax.
Tim Dirks' The Greatest Films - 10/10 by Tim DirksThe Quiet Man (1952) is director John Ford's epic romantic comedy - a loving, sentimental, nostalgic tribute to his Irish ancestry and homeland.
Apollo Guide - 10/10 by Brian WebsterIf you love more recent Irish comedies, you might also want to catch this US-made, but thoroughly Irish charmer from yesteryear.
Chicago Tribune - 10/10 by Michael WilmingtonShot partly on location in Ireland and designed in the lushest greens ever squeezed out of Technicolor, The Quiet Man is a movie that isn’t about a whole lot, but yet seems to contain so much—from Wayne’s easygoing charisma to the notoriously protracted climactic fight to the febrile, film-noir-like flashback to Sean’s boxing days.
Combustible Celluloid - 10/10 by Jeffrey M. AndersonFord shot on location in Ireland in dazzling Technicolor (with bold, sparkling greens), and came up with one of his most enjoyable, full-bodied films.
Movie Metropolis - 10/10 by John J. Puccio...old fashioned and sentimental...clearly a labor of love.
Cinema Sight - 10/10 by Wesley LovellJohn Ford may be the first director to make me like John Wayne.
Los Angeles Times - 9/10 by Dennis HuntScenes of the Irish countryside are dazzling and Ford’s version of Ireland is all homey and warm-hearted, with a distinct Hollywood glaze.
New Yorker - 9/10 by Richard BrodyJohn Ford’s bluff and sentimental comedy, from 1952, set in the Irish countryside, is as much an anthropological adventure as a romantic rhapsody.

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The Quiet Man