
British Thomas Fowler enjoys his life in Saigon working as a reporter for the London Times, covering the war in Vietnam between the colonial French powers and the Communists, who seem to be winning the war. In the later stages of his career, he takes his job lightly now, filing stories only on occasion, and no longer doing field work. But most importantly, this posting allows him to escape from what he considers a dreary life in London, including an unsatisfying marriage to a... (Full plot summary below)
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British Thomas Fowler enjoys his life in Saigon working as a reporter for the London Times, covering the war in Vietnam between the colonial French powers and the Communists, who seem to be winning the war. In the later stages of his career, he takes his job lightly now, filing stories only on occasion, and no longer doing field work. But most importantly, this posting allows him to escape from what he considers a dreary life in London, including an unsatisfying marriage to a Catholic woman, who will never grant him a divorce, which in turn allows him to have an affair with a young Vietnamese ex-taxi dancer named Phuong, whom he loves and would marry if he were able. Phuong's sister doesn't much like Fowler, if only because he cannot provide a stable future for her. His idyllic life is threatened when the head office suggests he go back to London. In this way, he decides to write a major story to prove to his superiors that he should stay in Saigon. In 1952, Fowler is called into the local Police Inspector's office to provide any information on his friend, thirty-ish American Alden Pyle, who has been found murdered. Fowler had met Pyle the previous year when he arrived in Vietnam to work as part of the American contingent in the Economic Aid Mission. Fowler and Pyle's relationship was not always harmonious, initially as Pyle admitted he too was in love with Phuong and wanted to marry her. That antagonistic relationship would extend to their professional lives, around Fowler believing that the story that would allow him to stay in Vietnam was the rise of a man named General Thé, and Pyle's belief that a third power should come in to take over Vietnam from both the French and the Communists. The question becomes whether Fowler knows more about Pyle's demise than he lets on to the Inspector.
Leave your thoughts about The Quiet American.
| NewsweekDavid AnsenFar from being a period piece, this love story/murder mystery/political thriller couldnt seem more timely. |
| Chicago TribuneMichael WilmingtonAn instant classic and a dramatic beauty, a film that gets us to the core of Greene's chilly, dark and romantic view of the post-war world. |
| Baltimore SunMichael SragowThis thoroughly modern movie pulls off a classical feat. It elicits the searing combination of pity and terror that leaves a viewer feeling purged. |
| Chicago Sun-TimesRoger EbertIt is a film with a political point of view, but often its characters lose sight of that, in their fascination with each other and with the girl. |
| Portland OregonianShawn LevyThe film reveals itself to be not so much a historical allegory as an Iliad of the heart. It's sad and smart and beautiful and true. |
| Christian Science MonitorDavid SterrittNoyce's movie pares away the novel's meditations on the futility of war and the importance of religion. It retains the book's thoughtful blending of psychological and moral issues. |
| TimeRichard CorlissAs thoughtful as it is handsomely acted. Caine's subtle, bold performance should guarantee him an aisle seat on Oscar night. |
| The SpectatorMark SteynYou can't capture that prescience in a remake half-a-century on. |
| Washington PostAnn HornadayThe narrative is lean, the supporting performances are solid, and, perhaps most crucially, the emotional tone of the piece is spot-on. |
| Sydney Morning HeraldSandra HallNoyce has no trouble convincing us he's made a film for our times. Even better, he's done it without upsetting the climate of the place where all Greene's novels are set, regardless of their actual position on the map. |