The Good, the Bad and the Ugly
The Good, the Bad and the Ugly

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- 88/100 based on 785,563 votes

Blondie, The Good (Clint Eastwood), is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes, The Bad (Lee Van Cleef), is a hitman who always commits to a task and sees it through--as long as he's paid to do so. And Tuco, The Ugly (Eli Wallach), is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blo... (Full plot summary below)

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Full Plot Details

Blondie, The Good (Clint Eastwood), is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes, The Bad (Lee Van Cleef), is a hitman who always commits to a task and sees it through--as long as he's paid to do so. And Tuco, The Ugly (Eli Wallach), is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know where the gold is; now he needs them to lead him to it. Now The Good, the Bad, and the Ugly must all battle it out to get their hands on $200,000.00 worth of gold.

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Movie Reviews

rec.arts.movies.reviews - 10/10 by Dragan AntulovMorricone's soundtrack is one the most powerful in the history cinema and it alone is the reason why this film should be so highly appreciated.
Antagony & Ecstasy - 10/10 by Tim BraytonA unique vision of the American West as place of desolation and ruin on a truly epic scale.
Cinema Sight - 10/10 by Wesley LovellThe defining spaghetti western pits a charismatic Clint Eastwood against partner and nemesis Eli Wallach and perpetual enemy Lee Van Cleef.
Groucho Reviews - 10/10 by Peter CanaveseThe sublime film music, now-iconic situations (like the climactic ghost town shootout), and sure visual style add up to a pitch-perfect genre pic that ongoingly influences generations of hip filmmakers. [Blu-ray]
BDK Reviews - 10/10 by Kevin McCarthyLeone created a phenomenal film but also created some of the most memorable shots in film history. The extreme close-ups are still impressive to this day.
Times (UK) - 10/10 by Kevin MaherRe-released movies are forever claiming to be iconic, but few can hold the title as easily as Sergio Leone's The Good, the Bad and the Ugly.
Empire Magazine - 10/10 by Kim NewmanAmid the endless homages and the sheer adoration meted out to Sergio Leone's ambitious, pricier finale to his Spaghetti Western trilogy, it's easy to forget just how damn good the film is.
Variety - 10/10 by Variety StaffThe third in the Clint Eastwood series of Italo westerns, The Good, the Bad and the Ugly is exactly that -- a curious amalgam of the visually striking, the dramatically feeble and the offensively sadistic.
Matinee Magazine - 10/10 by Chuck RudolphThe movie that solidified Eastwood's iconography. Leone's dazzling Techniscope cinematics far surpass the familiar plot.
Montreal Film Journal - 10/10 by Kevin N. LaforestSergio Leone sure is a great director. He has a unique visual style, combining gorgeous establishing shots of Western landscape and tense close-ups.

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The Good, the Bad and the Ugly