
Gary Hart, a U.S. senator from Colorado, is the widely accepted front-runner in the race for the Democratic presidential nomination. After losing the 1984 nomination to vice-president Walter Mondale, Hart decides to run for President of the United States. At one point during his campaign, against the will of his manager Bill Dixon, Hart challenges the press and public to "follow him around" while he's not campaigning on weekends. This proves to be a mistake when in 1987, phot... (Full plot summary below)
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Gary Hart, a U.S. senator from Colorado, is the widely accepted front-runner in the race for the Democratic presidential nomination. After losing the 1984 nomination to vice-president Walter Mondale, Hart decides to run for President of the United States. At one point during his campaign, against the will of his manager Bill Dixon, Hart challenges the press and public to "follow him around" while he's not campaigning on weekends. This proves to be a mistake when in 1987, photos of him and journalist Donna Rice are published by Miami Herald Reporters. In a desperate attempt to clear his name, Hart tries to fix his reputation at a news event concerning the affair but to no avail. Because of the consequences of his actions, Hart is disgraced, berated by Dixon, and forced to drop out of the campaign while his wife Oletha remains to be close with him. Donna also announces that she has personally denied sleeping with the now former senator..
Leave your thoughts about The Front Runner.
| ObserverRex ReedBrilliantly directed by Jason Reitman, from an intelligent, carefully researched and fast moving screenplay by Reitman, Jay Carson and Matt Bai (based on Bai’s marvelous book All the Truth Is Out: The Week Politics Went Tabloid), this enthralling film is a mirror to the shifting relationship between the media and politics, and the events that changed the last 30 years in American history. |
| CinegarageErick EstradaQuiet but meticulous is the (complex) reflection that The Front Runner places on our tables. [Full Review in Spanish] |
| VogueJohn PowersReitman aspires to something of an Altmanesque sweep, putting Hart and his wife, Lee (Vera Farmiga, tremendously good), at the center of a circus. |
| Film ThreatAndy HowellEvery line of dialog, every camera angle, every beat is precisely engineered. |
| Wall Street JournalJoe MorgensternThe production’s shrill insistence on scandal-mongering as the poison of our political process is trivializing, too. Given the profound currents and countercurrents that have transformed — and menaced — the news media in the last few years, this story plays like quaintly ancient history. |
| Battleship PretensionScott NyeLike Hart himself, The Front Runner had a lot of potential that it mostly squanders. Unlike Hart, it can't stake a strong position on anything. |
| Denver WestwordBilge EbiriIt makes for an intriguing combination of tones and rhythms — urgency running up against paralysis — that speaks to the twisted dynamism of our political process, then and now. |
| New York PostJohnny OleksinskiJackman’s turn doesn’t have an Oscars wow quality; nor does the movie itself. The script’s zingers can occasionally come off as store-brand “West Wing.” But it’s a fun, endlessly fascinating watch in which the big questions outweigh the tiny problem. |
| Hollywood NewsJoey MagidsonArmed with a strong turn from Hugh Jackman, Reitman is able to place us right in the middle of Hart's ill fated campaign for President. It's captivating from start to finish. |
| World of ReelJordan Ruimy"The Front Runner" is a timely story because it's about a paradigm shift that happened in the world of media. 24/7 news cycles were starting to dominate and people were hungry for news, even if it meant the sleaziest kind |