
Brazil, 1960s, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970s: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. he keeps getting swept up in the madness. All he wants to do is take pictur... (Full plot summary below)
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Brazil, 1960s, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970s: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. he keeps getting swept up in the madness. All he wants to do is take pictures. 1980s: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God.
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| Hot ButtonDavid PolandThis film is the most original synthesis of pop storytelling into a new form since The Matrix. |
| New York ObserverAndrew SarrisThe living conditions it projects are as horrendous as I had feared, but the movie is surprisingly easy to take as a rollicking homicidal entertainment. |
| TimeRichard CorlissThe film is seductive, disturbing, enthralling -- a trip to hell that gives the passengers a great ride. |
| New York PostMegan LehmannLike a bomb exploding in a fireworks factory: It's fierce and shocking and dazzling and wonderful. |
| Austin ChronicleMarjorie BaumgartenA marvelous achievement that refuses to avert its gaze from the poetry and the insane savagery of the hopeless. |
| Film ThreatK.J. DoughtonMeticulous in its descriptions of well-intended individuals caught up in these ferocious waves of street crime. |
| Portland OregonianShawn LevyAn exhilarating slap in the face, bracing and sexy, smart and visceral, stylish and raw -- the advent of a fabulously exciting new moviemaking talent. |
| Washington PostStephen HunterIt's a trip to Hell and back, and testimony for embittered cynics of all that a movie can be. |
| The A.V. ClubKeith PhippsThe film finds a surprising amount of tenderness and humor beneath the brutality. The laughs may catch in the throat, but that's only a byproduct of City Of God's power to leave viewers breathless. |
| Chicago Sun-TimesRoger EbertBreathtaking and terrifying, urgently involved with its characters, it announces a new director of great gifts and passions: Fernando Meirelles. |