
New Yorkers Louisa "Ouisa" Kittredge (Stockard Channing) and John Flanders "Flan" Kittredge (Donald Sutherland) are upper-class private art dealers, pretentious, but compassionate. Their prized possession is a double-sided Kandinsky: one side represents control; the other, chaos. They relay a story to their friends and acquaintances that becomes legendary over time: their encounter with a young black stranger who came stumbling upon their front door one evening as they were c... (Full plot summary below)
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New Yorkers Louisa "Ouisa" Kittredge (Stockard Channing) and John Flanders "Flan" Kittredge (Donald Sutherland) are upper-class private art dealers, pretentious, but compassionate. Their prized possession is a double-sided Kandinsky: one side represents control; the other, chaos. They relay a story to their friends and acquaintances that becomes legendary over time: their encounter with a young black stranger who came stumbling upon their front door one evening as they were courting Geoffrey Miller (Sir Ian McKellen), an important investor who could make them wealthy beyond their dreams. The young man, Paul Poitier (Will Smith), had just arrived in the city when he was mugged outside their building, he sported a minor knife wound to the abdomen. He was a friend of the Kittredges' children, who are attending Harvard; more importantly, he's the son of actor and Director Sidney Poitier. Tomorrow, Paul is meeting up with his father, who is in town directing a movie of "Cats". Beyond the attraction of talking Paul into getting them roles in the movie, Ouisa, Flan, and Geoffrey all end up being captivated by Paul's charm, charisma, pedigree, and eloquence. After tending to his wounds, the Kittredges invite him to stay the night. Their encounter with him ends up being an all-too-familiar story that leads them on a search for him after he leaves their house the next morning. In that search, Ouisa in particularly starts to critically study their lives and how much compassion they actually have.
Leave your thoughts about Six Degrees of Separation.
| The Globe and Mail (Toronto)Rick GroenSix Degrees is the next best thing to a great play; a fantastically clever, verbally scintillating, consistently amusing one. |
| Deseret News (Salt Lake City)Chris HicksThere are those wonderful performances by the lead players - and especially Channing, who has been underused or misused most of her film career - and they make it fairly enjoyable entertainment. |
| Internet ReviewsSteve RhodesThe script by John Guare deserves an award - witty and very bright. |
| Washington PostRita KempleyThe relationships feel contrived, less a drama than an exercise in cuteness. |
| Tampa Bay TimesSteve PersallA mystery wrapped inside an enigmatic nation, flawlessly acted and difficult to predict. I'm always impressed when a movie informs about a foreign culture while it entertains, and this one is powerful art in that regard. |
| EmpireWilliam ThomasDespite some fuzzy thinking in the third act, when it gets hard to see what is on Guare's mind, the result is a thoroughly engaging and pointed film. |
| San Francisco ChronicleMick LaSalleMr. Schepisi's directorial vigor wins out over his film's skittishness. This version may horrify purists, but it winds up working entertainingly on its own broader, flashier terms. |
| VarietyLeonard KladySix Degrees is magical when addressing the preposterous. Like any good storyteller, Paul is deft at knitting eyes with wool. Smith proves himself an extremely charismatic presence, convincing in his sincerity and cunning in conveying his ability as a human sponge. |
| Zap2it.comDan FienbergIt walks like a play and talks like a play, but thanks to the gentle direction and the performances from the crack cast -- particularly Channing and a never-better Smith -- it's satisfying as a movie. |
| Los Angeles TimesPeter RainerI'm not sure if this is a failing of the play, the actor, the director, or whatever, but it's a nagging perplexity at the center of this story. Yet there's so much else going on here, ideas and lines of thought that it engenders, that it's difficult not to enjoy the experiences. It's also bitingly funny. |