
"Fast" Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary "Minnesota Fats" to a high-stakes match, but he loses in a heartbreaking marathon. Now broke and without his long-time manager, Felson faces an uphill battle to regain his confidence and his game. It isn't until he hits rock bottom that he agrees to join up with ruthless and cutthroat manager Bert Gordon. Gordon agrees to tak... (Full plot summary below)
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"Fast" Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary "Minnesota Fats" to a high-stakes match, but he loses in a heartbreaking marathon. Now broke and without his long-time manager, Felson faces an uphill battle to regain his confidence and his game. It isn't until he hits rock bottom that he agrees to join up with ruthless and cutthroat manager Bert Gordon. Gordon agrees to take him on the road to learn the ropes. But Felson soon realizes that making it to the top could cost him his soul, and perhaps his girlfriend. Will he decide that this is too steep a price to pay in time to save himself?
Leave your thoughts about The Hustler.
| CitysearchDan FazioNewman and Scott smolder through the moody black-and-white cinematography, delivering line after line of crackling dialogue. |
| Film Freak CentralWalter ChawEddie's true modern progeny is There Will Be Blood's Daniel Plainview, drinking bitter milkshakes since 1961. |
| Slant MagazineArthur Ryel-LindseyWith solid performances, a great jazz score by Kenyon Hopkins, and a virtual clinic in how to do black-and-white cinematography thanks to Eugene Shuftan’s camerawork, The Hustler reaffirms your faith in the movies. |
| Austin ChronicleMarjorie BaumgartenDingy atmosphere and great performances make this a standout. |
| Chicago Sun-TimesRoger EbertThe Hustler is one of those films where scenes have such psychic weight that they grow in our memories. That's true of the matches between Eddie and Fats. |
| ReelViewsJames BerardinelliOne of the most compelling character-based films to emerge from the decade of the 1960s. |
| EmpireRob FraserThere's a huge amount of style in this picture, but also a huge amount of substance underpinning it. |
| CineVueBruce FrettsPaul Newman won his Best Actor Oscar for its 1986 sequel, The Color of Money, but he executed an equally award-worthy turn in Robert Rossen’s jazzy, boozy pool-hall morality play. |
| Apollo GuideScott WeinbergStrikes that magical balance between a phenomenal cast, a director with a gift for shadow and mood, and a near-perfect screenplay. |
| Movie MomNell MinowDespite the seedy settings (so evocative that they are almost a character in the story), this is almost a traditional morality play about humility and redemption. |