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Leave your thoughts about Sisu.
| Original-CinThom ErnstA hybrid action/war/revenge film with enough octane to blast Michael Bay out of competition. |
| Austin ChronicleRichard WhittakerEven as Aatami survives completely ridiculous and clearly life-ending assaults, the magic of bloody-mindedness keeps the action … if not plausible, then never less than hilarious and gruesome. |
| The Globe and Mail (Toronto)Barry HertzIf watching mass-murdering maniacs get absolutely destroyed on-screen is your thing – and it very much is mine – then Sisu is a perfectly depraved night out. |
| ReelViewsJames BerardinelliSisu is one of those unheralded films that comes seemingly out of nowhere to grab the adventurous movie-goer by the throat. For a perfectly-pitched 90 minutes, it glories in the excesses of gore and violence with an exuberance rarely experienced this side of Quentin Tarantino. |
| ObserverOliver JonesOstensibly a middling programmer meant to satiate our cinematic bloodlust during the lull between John Wick 4 and The Equalizer 3, this period neck-snapper from Finnish filmmaker Jalmari Helander may not only surpass both those films, it could end up taking the gore-splattered crown as the most satisfying, over-the-top violent action movie of the summer. |
| RogerEbert.comRobert DanielsThe film holds the kind of dumb, action beats and inventive kills, hokey yet fun dialogue that Hollywood used to be so good at producing. It remembers that villains can be wholly evil and that heroes can be bulletproof but still be engaging. |
| EmpireAlex GodfreyServing up stone-cold multiplex mayhem, Sisu makes no bones about it — this is a film about one mad bastard killing a gazillion Nazis. It’s almost impossible not to love it. |
| The TelegraphTim RobeyAatami is like some figure out of folk myth let loose on his persecutors, shaking off a ridiculous assortment of injuries between one set piece and the next. |
| The Daily BeastNick SchagerHelander’s latest tells its story with compact concision, even as it also indulges in great gooey gobs of over-the-top mayhem. |
| The Irish TimesTara BradyJalmari Helander, who previously scored an international hit with his Santa-themed horror, Rare Exports, mines every gory set piece for squeals of delight and revulsion. Styled as a midnight movie, Sisu makes terrific use of limited military hardware and a forbidding Lapland landscape. |
