
Among thousands of kids trying their best to make college work, Alex feels alone and depressed. Home is 1500 miles away and he's struggling to find a reason not to go back. Maggie, Alex's sophomore RA, has been crushing college since day one. Today though, Maggie is dealt an unexpected loss. After a party at Shithouse, Maggie wants some company and finds it in Alex. Two young people raised in very different households, Alex and Maggie challenge each other and grow up together... (Full plot summary below)
Enjoy FREE movies and series with your Prime (USA) subscription or when you start a 30-day free trial!
Among thousands of kids trying their best to make college work, Alex feels alone and depressed. Home is 1500 miles away and he's struggling to find a reason not to go back. Maggie, Alex's sophomore RA, has been crushing college since day one. Today though, Maggie is dealt an unexpected loss. After a party at Shithouse, Maggie wants some company and finds it in Alex. Two young people raised in very different households, Alex and Maggie challenge each other and grow up together.
Leave your thoughts about Shithouse.
| Austin ChronicleRichard WhittakerOne of the most extraordinary debuts of the year. |
| The Hollywood ReporterJohn DeForeRaiff is so credible in the part one can't help but suspect there's a lot of him in Alex; the film's willingness to look so frankly at his vulnerability, in an unmanipulative way, feels especially refreshing now. |
| EmpireJohn NugentAs a sensitive portrait of what college is like for the awkward lonely types — and an ode to just staying up late and shooting the sh*t — Freshman Year is a funny, tender treat. |
| The Film StageDan MeccaShithouse, written and directed by the 22-year-old Cooper Raiff, tells a familiar story with a specificity that cannot be ignored. |
| Movie NationRoger MooreFew movies grab the lonely, lost and timeless suck of freshman year at college as well as Shithouse, the debut feature of writer, director and co-star Cooper Raiff. |
| Boston GlobeTy BurrThe movie won the grand prize at this year’s Slamdance, an even more indie Sundance-adjacent festival, and it marks the arrival of an earnest talent in writer-director-star Cooper Raiff. It’s also the rare youth movie to dispense with cynicism and wear its heart on its sleeve. |
| LarsenOnFilmJosh LarsenAt its best, the movie captures the thrill of those moments, whether romantic or friendly, when you realize something special is happening. |
| RogerEbert.comTomris LafflyWhen writer/director Raiff steps out of the Linklater zone and tries to give Sam his own story — he is an aspiring stand-up comedian, except not particularly funny — you can feel Shithouse lose its firm footing a little bit. |
| The Associated PressJake CoyleIt’s one of the freshest college movies in years, a nano-budget breakthrough of rare sensitivity that announces more than one new talent. |
| Los Angeles TimesKevin CrustThough the film’s casual structure lulls you into thinking not much is going on, the gently shifting power dynamics between the characters, and a reversal of the traditional gender roles sets up an unexpectedly moving resolution. |