
Vietnam veteran John Rambo has survived many harrowing ordeals in his lifetime and has since withdrawn into a simple and secluded existence in Thailand, where he spends his time capturing snakes for local entertainers, and chauffeuring locals in his old PT boat. Even though he is looking to avoid trouble, trouble has a way of finding him: a group of Christian human rights missionaries, led by Michael Burnett and Sarah Miller, approach Rambo with the desire to rent his boat to... (Full plot summary below)
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Vietnam veteran John Rambo has survived many harrowing ordeals in his lifetime and has since withdrawn into a simple and secluded existence in Thailand, where he spends his time capturing snakes for local entertainers, and chauffeuring locals in his old PT boat. Even though he is looking to avoid trouble, trouble has a way of finding him: a group of Christian human rights missionaries, led by Michael Burnett and Sarah Miller, approach Rambo with the desire to rent his boat to travel up the river to Burma. For over fifty years, Burma has been a war zone. The Karen people of the region, who consist of peasants and farmers, have endured brutally oppressive rule from the murderous Burmese military and have been struggling for survival every single day. After some inner contemplation, Rambo accepts the offer and takes Michael, Sarah, and the rest of the missionaries up the river. When the missionaries finally arrive at the Karen village, they find themselves part of a raid by the sadistic Major Pa Tee Tint and a slew of Burmese army men. A portion of the villagers and missionaries are tortured and viciously murdered, while Tint and his men hold the remainder captive. Concerned by their disappearance, the minister in charge of the mission gathers a group of mercenaries and pleas Rambo transport them with his boat, since he knows their last exact location.
Leave your thoughts about Rambo.
| Village VoiceJ. HobermanA sort of parody "Apocalypse Now," complete with listless coochie dancers entertaining the Burmese troops, the movie finds its own heart of darkness once Rambo drops the doctors in Burma. |
| Entertainment WeeklyLisa SchwarzbaumRambo teaches that fighting sucks, good intentions can be futile, and coalitions of the willing are a charade: A man's got to do what a man's got to do. |
| Los Angeles TimesKevin CrustMoved to take charge by something like chivalry, Rambo hits his stride in the film's second half, meting out justice in an unjust world and ultimately the movie works best when warbling its out-of-tune greatest hits. |
| ReelViewsJames BerardinelliIn the Rambo canon, where does this one fit? The tone is closer to "First Blood" but the body count is more "Rambo III." No matter how one dices and slices this new Rambo, the first one in 20 years, it will likely please fans of the long-in-the-tooth series. |
| The New York TimesA.O. ScottThe movie does have its own kind of blockheaded poetry. |
| VarietyBrian LowryStallone (who looks fit but mostly keeps his shirt on) has no intention of bogging the action down, but it's still a notably cheerless exercise, without knowing winks or stabs (pardon the expression) at humor. It is in all respects, rather, a completely workmanlike effort. |
| TV Guide MagazineMaitland McDonaghThe result is the farthest thing from a bland, spineless sequel: It's a brutal, insanely excessive successor to grindhouse pictures of yore. |
| SlateDana StevensRambo combines an unapologetic return to the grand action-movie tradition of blowing shit up (one explosion is so big, it leaves behind its own miniature mushroom cloud) with a "Saw"-era interest in close-ups of human viscera. |
| The A.V. ClubNathan RabinRambo works best as a pure action movie devoted to delivering the cheapest kicks imaginable--and to a much lesser extent, to bringing attention to human-rights violations and genocide in Asia. |
| L.A. WeeklyJim RidleyGorier, meaner and uglier than anything Sylvester Stallone has made before, and as such damnably effective in rousing your blood lust, this wind-up groin kicker of a movie seems initially as wary of being pulled back into a dirty job as its reluctant hero. |