
In the lead up to state elections in the Indian village of Peepli, two poor farmers, Natha and Budhia, face losing their land over an unpaid bank loan. Desperate, they seek help from an apathetic local politician, who scornfully suggests they commit suicide to benefit from a government program that aids the families of indebted deceased farmers. When a journalist overhears Budhia urge Natha to "do what needs to be done" for the sake of their families, a media frenzy ignites a... (Full plot summary below)
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In the lead up to state elections in the Indian village of Peepli, two poor farmers, Natha and Budhia, face losing their land over an unpaid bank loan. Desperate, they seek help from an apathetic local politician, who scornfully suggests they commit suicide to benefit from a government program that aids the families of indebted deceased farmers. When a journalist overhears Budhia urge Natha to "do what needs to be done" for the sake of their families, a media frenzy ignites around whether or not Natha will commit suicide.
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| The A.V. ClubNoel MurrayPeepli Live has a lot in common with Billy Wilder's black comedy Ace In The Hole, in that it explores the cynicism of modern life with wit and honesty. |
| Los Angeles TimesGary GoldsteinThe ambitious Peepli Live manages to mine substantial dark humor from this tragic situation while offering pointed - and sometimes poignant - social commentary in the process. |
| New York PostV.A. MusettoYou can't decide whether to laugh because the events are so absurd or cry because you can imagine them really happening. |
| Time OutAnil SinananA largely unknown confident cast, rousing folk music and Rizvi's understated direction result in a fresh, credible comic gem. |
| Total FilmTom DawsonDrawing on India's rural-versus-urban divide, Rizvi spins a dynamic, enjoyably-acted yarn that balances farcical humour with a satisfying seriousness. |
| VarietyRob NelsonDebuting writer-director Anusha Rizvi manages to wrest a lively feature out of a gravely serious issue, capturing the desperation of India's village farmers, as well as the nation's shift from agriculture to industrialization, without losing sight of the entertainment principle. |
| The New York TimesRachel SaltzThe writer-director Anusha Rizvi, making her feature debut, shoots her story efficiently and with visual panache, but after a compelling setup her script runs out of juice. |
| Village VoiceAaron HillisIt's an unusual taste of mainstream Indian cinema (or, thanks to superstar Aamir Khan's production company, it's a small film given an unusually mainstream push), unexpectedly irreverent with an earthier, folkier soundtrack than the typical Bollywood electro-bounce. |
| Film-Forward.comNora Lee MandelBroad, entertaining satire, with heartfelt pleas, on the difficulties for the farmers and those who try to help them. |
| MovielineMichelle OrangePeepli Live opens out slowly to encompass several factions of Indian society, including the press, local, state, and federal politicians, and the shady elements binding them all together. It's a meticulously engineered design that a show like The Wire took several years to execute; here the strain shows within the first half hour. |