After his wife Maggie passes away, Sam Baldwin and his 8-year-old son Jonah relocate from Chicago to Seattle to escape the grief associated with Maggie's death. Eighteen months later Sam is still grieving and can't sleep. Although Jonah misses his mother, he wants his father to get a new wife despite Sam having not even contemplated dating again. On Christmas Eve, Sam (on Jonah's initiative) ends up pouring his heart out on a national radio talk show about his magical and per... (Full plot summary below)
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After his wife Maggie passes away, Sam Baldwin and his 8-year-old son Jonah relocate from Chicago to Seattle to escape the grief associated with Maggie's death. Eighteen months later Sam is still grieving and can't sleep. Although Jonah misses his mother, he wants his father to get a new wife despite Sam having not even contemplated dating again. On Christmas Eve, Sam (on Jonah's initiative) ends up pouring his heart out on a national radio talk show about his magical and perfect marriage to Maggie, and how much he still misses her. Among the many women who hear Sam's story and fall in love with him solely because of it is Annie Reed, a Baltimore-based newspaper writer. Annie's infatuation with Sam's story and by association Sam himself is despite being already engaged. But Annie's relationship with her straight-laced fiancé Walter is unlike her dream love life in the movie An Affair to Remember (1957). She even writes to Sam proposing they meet atop the Empire State Building on Valentine's Day. Back in Seattle, Sam has received hundreds of letters from women wanting to meet him. Jonah is excited by one letter in particular from Baltimore and will do whatever he needs to to get his father and Annie together. However, old fashioned Sam wants his future love life to be based on meeting a woman the traditional way and he, in turn, becomes infatuated with an unknown woman he spots a few times in Seattle. Will magic happen twice in Sam's life, and if so will it be with this unknown woman or Annie?
Leave your thoughts about Sleepless in Seattle.
| The Globe and Mail (Toronto)Rick GroenConsequently, Ephron is forced to shape and integrate the twin halves of the picture, and she does a splendid job - the intercutting is always fluid and never mechanical. Better yet, the script keeps surprising us, setting up stock situations and then pulling away from a stock treatment. |
| The New York TimesVincent CanbyNot since "Love Story" has there been a movie that so shrewdly and predictably manipulated the emotions for such entertaining effect. |
| TheMovieReport.comMichael DequinaPredictable, manipulative, and completely satisfying. |
| Entertainment WeeklyTy Burr[Ephron] gets the corn without the smolder. |
| Washington PostHal HinsonIn Sleepless, though, we're as stuck on these people as the director is, and it puts us in a receptive, forgiving mood. We fall -- and I think a lot of people will fall hard for this movie -- even though we know we shouldn't. |
| Montreal Film JournalKevin N. LaforestIt's the kind of movie that reaches your emotional core and your dreams and make you feel alive by showing you how good life can be despite the little setbacks. |
| EmanuelLevy.ComEmanuel LevyLike most of Ephron's work, this one is shallow and contrived, but it stars two of America's most likable stars, Meg Ryan and Tom Hanks. |
| Los Angeles TimesMichael WilmingtonThis is a dreamy, romantic fantasy whose mood falls somewhere between magic and reality. |
| The SpectatorMark SteynThe emotional weight of the drama rests on Hanks, and you appreciate how skilfully Ephron structures the film so that the two principals are bound by song and sentiment rather than physical proximity. |
| ReelViewsJames BerardinelliThis is a dreamy, romantic fantasy whose mood falls somewhere between magic and reality. |
