
1983. Thomas Highway (Clint Eastwood) is a well-decorated career military man in the United States Marine Corps, he who has seen action in Korea and Vietnam. His current rank is Gunnery Sergeant. His experiences have led him to become an opinionated, no nonsense man, who is prone to bursts of violence, especially when he's drunk, if the situation does not suit him, regardless of the specifics or people involved. Because of these actions, he has spent his fair share of overnig... (Full plot summary below)
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1983. Thomas Highway (Clint Eastwood) is a well-decorated career military man in the United States Marine Corps, he who has seen action in Korea and Vietnam. His current rank is Gunnery Sergeant. His experiences have led him to become an opinionated, no nonsense man, who is prone to bursts of violence, especially when he's drunk, if the situation does not suit him, regardless of the specifics or people involved. Because of these actions, he has spent his fair share of overnighters behind bars. Close to retirement, one of his last assignments, one he requested, is back at his old unit at Cherry Point, North Carolina, from where he was transferred for insubordination and conduct unbecoming. He is to train a reconnaissance platoon. His superior officer, the much younger and combat inexperienced Major Malcolm Powers (Everett McGill), sees Highway as a relic of an old-styled military. Highway's commanding officer, Lieutenant Ring (Boyd Gaines), the platoon leader, is also a younger man who has no combat experience, but is academically inclined and happy-go-lucky. Highway finds that his team is a rag-tag bunch of slackers, who includes wannabe rock musician Corporal Stitch Jones (Mario Van Peebles), with whom Highway had an inauspicious earlier meeting. The men in the platoon, who truly believe Highway is crazy, hate him, and don't understand why they have to follow his harsh training regimen when the United States is not currently at war. The Major, who is all about efficiency regardless of combat readiness, has the same views of Highway. He is clear that he sees Highway's platoon solely as a training mechanism for his own elite squad trained by Highway's nemesis, Staff Sergeant Webster (Moses Gunn). Things for Highway and his platoon change when the United States enters into war in Grenada. Through it all, Highway tries to reconnect with his bar waitress ex-wife Aggie (Marsha Mason), he even clandestinely reading women's magazines to understand her better. Two primary obstacles stand in his way: Roy Jennings (Bo Svenson), Aggie's boss and current suitor who hates Marines, and Aggie's own remembrance of how dysfunctional their marriage was.
Leave your thoughts about Heartbreak Ridge.
| Chicago TribuneDave KehrAs an actor, Eastwood has created his most complex, fully dimensional characterization in Tom Highway; as a director, he has worked to put that characterization in a remarkably mature, self-critical context. Heartbreak Ridge is a film of genuine substance and courage. |
| National ReviewKyle SmithWhat elevates the film are its dead-on verisimilitude about 1980s military culture, its lightly-worn insights into the larger issues at stake, and its precision-lathed dialogue, which is smart but never smarmy. |
| New York TimesVincent CanbyAs the gritty, raspy-voiced sergeant, Mr. Eastwood's performance is one of the richest he's ever given. It's funny, laid-back, seemingly effortless, the sort that separates actors who are run-of-the-mill from those who have earned the right to be identified as stars. |
| Washington PostPaul AttanasioA few Cubans with AK47s isn't exactly "The Guns of Navarone." At the end, you can't decide whether Eastwood and his platoon should get medals or merit badges. |
| Chicago Sun-TimesRoger EbertHeartbreak Ridge has as much energy and color as any action picture this year, and it contains truly amazing dialogue. |
| EmanuelLevy.ComEmanuel LevySet during the Grenada War, Clint Eastwood's war movie is a formulaic, old-fashioned actioner wearing its ideology on its sleeves. |
| Combustible CelluloidJeffrey M. AndersonFor a war film, Heartbreak Ridge is oddly lighter in spirit than many of Eastwood's other films from this period. |
| VarietyVariety StaffHeartbreak Ridge offers another vintage Clint Eastwood performance. |
| EmpireWilliam ThomasAn unusually thoughtful look (and a broad one) at powers on the wane, at America's shift from Vietnam polarisations to 80's apathy, and at one man teetering on the brink of a lonely old age. |
| Chicago TribuneGene SiskelThis kind of macho bantering quickly wears thin, too -- I guess it's not surprising that men who spend most of their time with other men would lard their conversation with taunts of homosexuality and allusions to male gonads, but it's not particularly interesting either. And as a storyteller, Carabatsos is no better than a competent hack. The plot is schematic, the characters are cliche's. |