
David Merrill (Robert De Niro), a fictitious 1950s Hollywood Director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on Un-American Activities, and he is unable to work until cleared. Before being called, his highest priority had been his work to the extent of leaving his wife (Annette Bening) and son (Luke Edwards) alone for several months at a time. He initially refuses to implicate others or himself in a... (Full plot summary below)
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David Merrill (Robert De Niro), a fictitious 1950s Hollywood Director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on Un-American Activities, and he is unable to work until cleared. Before being called, his highest priority had been his work to the extent of leaving his wife (Annette Bening) and son (Luke Edwards) alone for several months at a time. He initially refuses to implicate others or himself in a private meeting with Roy Cohn and a studio lawyer. This decision initially to stick to his principles first leaves him unable to work in his profession, even with films and producers he never would have worked with before. Harassment by the F.B.I. leaves him unable to work on Broadway, with advertising agencies, or even in a small film repair shop. Finally, having fallen so far, and tempted with a new offer to direct a film from his old studio (if he testifies), he agrees to go before the Committee, initially planning to name his friends. But when confronted with the cruel and tyrannical behavior of the House Committee on Un-American Activities, he realizes that there is a higher priority in his life. There is standing up for what is right, and in doing so, he inspires friends and family to do the same.
Leave your thoughts about Guilty by Suspicion.
| San Francisco ChronicleJudy StoneGuilty by Suspicion is about a period that is now some 40 years ago (although some blacklist members did not work again until the 1970s). But it teaches a lesson we are always in danger of forgetting: that the greatest service we can do our country is to be true to our conscience. |
| The New York TimesJanet MaslinA stirring and tragic evocation of terrible times. |
| Chicago ReaderJonathan RosenbaumYes, the picture is flawed, but it is still something unusual in contemporary movies, a work that deserves to be called honorable, and not only in its intentions. |
| Chicago TribuneDave KehrFor De Niro, David Merrill represents a rare opportunity to play a leading man without tics or gimmicks, and it is a pleasure to set what a fine, transparent performer he can be after the high technique of Awakenings and GoodFellas. |
| St. Louis Post-DispatchJoe PollackFirst writing-directing effort by vet producer Irwin Winkler squarely lays out the professional, ethical and moral dilemmas engendered by the insidious political pressures brought to bear on filmmakers in the early 1950s. Robert De Niro is excellent as a top director brought down by reactionary paranoia. But the drama comes to life only fitfully. |
| Washington PostJoe BrownMerrill's story, synthesizing the painful paths of dozens of blacklisted men and women, is told with admirable simplicity and lack of sensationalism. De Niro projects a warmly masculine presence, struggling to maintain dignity while wrestling within with the Faustian bargain. |
| WaffleMovies.comWillie WaffleIrwin Winkler brilliantly captures the madness that overtook Hollywood in the early 1950's |
| Tampa Bay TimesHal LipperThe pace drags terribly, however, and the period detail is distractingly off in small ways that become annoying. Thankfully, though, things perk up with a bravura finale, when Merrill finally takes the witness stand before the dreaded inquisitors. |
| Los Angeles TimesPeter RainerThe scandal of McCarthyism is too daunting to shake off. But Guilty By Suspicion leaves you wishing that someone would finally make a decent movie about it. |
| Rolling StonePeter TraversWinkler's script creaks with melodrama, especially in the scenes with Merrill and his ex-wife, Ruth (Annette Bening), though Bening gives the role spine. Director Winkler fails to modulate the performances. |