Faces
Faces

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- 74/100 based on 11,262 votes
  • Released: 1968
  • Runtime: 130 mins
  • Director:
  • Studio: Maurice McEndree Productions
  • Genres: Drama

Richard Forst has grown old. One night, he leaves his wife for Jeannie Rapp, a young woman who does not like friendship. Meanwhile, Richard's wife, Maria, is seduced by Chet, a kind young man from Detroit... A film about the meaningless of life for a certain kind of wealthy middle-aged people.... (Full plot summary below)

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Actors in Faces:

John Marley
Gena Rowlands
Lynn Carlin
Fred Draper
Seymour Cassel
Val Avery

Full Plot Details

Richard Forst has grown old. One night, he leaves his wife for Jeannie Rapp, a young woman who does not like friendship. Meanwhile, Richard's wife, Maria, is seduced by Chet, a kind young man from Detroit... A film about the meaningless of life for a certain kind of wealthy middle-aged people.

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Movie Reviews

Chicago Reader - 10/10 by Jonathan RosenbaumThis is one of the most powerful and influential American films of the 60s.
Chicago Tribune - 10/10 by Michael WilmingtonThis is one of the great alternative masterpieces of the American cinema. In many ways, Cassavetes' most important film.
Chicago Sun-Times - 10/10 by Roger EbertJohn Cassavetes' Faces is the sort of film that makes you want to grab people by the neck and drag them into the theater and shout: "Here!" It would be a triumphant shout.
San Francisco Chronicle - 10/10 by Mick LaSallePartly improvised, partly scripted, and partly somewhere between the two, Cassavetes' films have frequently been likened to jazz. Faces bears the stamp of its particular era's jazz; it trades in long stretches of chaos, even ugliness, which produce unexpected passages of grace and beauty. As punishing as that ugliness can be, the graceful bits stick in the memory.
LarsenOnFilm - 9/10 by Josh LarsenThere is a lot of joy in Faces—John Cassavetes’ second real “Cassavetes” film, 10 years after Shadows—and there is also a lot of anger. Often there’s a drunken combination of the two. But no matter what emotion dominates, the movie itself has the same edge, the same itchiness. It’s constantly scratching its own skin.
Spectrum Culture - 9/10 by Pat PaduaDespite Cassavetes's cynicism about his fellow man, his actors, who he directed to be real, not to act, found humanity even in the most seemingly contemptible characters.
The Spectator - 9/10 by Penelope HoustonThis wry, obstinate and fiercely independent film remains an actor's work.
EmanuelLevy.Com - 9/10 by Emanuel LevyCassavetes depicts marital problems with harsh, uncompromising realism and hand-held camera. The movie may be overlong and excessive, but it's always honest. .
Creative Loafing - 9/10 by Matt BrunsonAlong with A Woman Under the Influence, Cassavetes' most popular movie among critics, art-house audiences and Academy members.
The New York Review of Books - 9/10 by Margot HentoffCassavetes has taken a second-hand vision and, in the guise of empathy, transmuted it into a film which is so contemptuous that there is no one who cannot feel superior to what is happening on screen ...

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