
Johnny is an emotionally stunted and softspoken radio journalist who travels the country interviewing a variety of kids about their thoughts concerning their world and their future. Then Johnny's saddled with caring for his young nephew Jesse. Jesse brings a new perspective and, as they travel from state to state, effectively turns the emotional tables on Johnny.... (Full plot summary below)
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Johnny is an emotionally stunted and softspoken radio journalist who travels the country interviewing a variety of kids about their thoughts concerning their world and their future. Then Johnny's saddled with caring for his young nephew Jesse. Jesse brings a new perspective and, as they travel from state to state, effectively turns the emotional tables on Johnny.
Leave your thoughts about C'mon C'mon.
| The IndependentClarisse LoughreyC’mon C’mon is a great big bear hug wrapped in celluloid. |
| The TelegraphTim RobeyWhile it’s fully grounded as a family portrait, overlaid on it still is that type of cosmic optimism which makes Mills’s work so lovely. I’m not even sure we fully deserve it, but it would be sheer masochism to turn it down. |
| The PlaylistRodrigo PerezPoetic and bittersweet, Cmon Cmon is a special film, one that asks us to recognize the mistakes we make, the people we wound, the feelings we hurt, and to maybe give ourselves a break in the process and hold on for what better future tomorrow may bring. |
| TheWrapCarlos AguilarThe character complexities grow out of Mills’ divinely extraordinary writing. |
| RogerEbert.comMonica CastilloC’mon C’mon is the kind of movie that invites reflection. It’s not building towards a larger cinematic event or full of explosions. It’s a sincere drama about relationships, told from the perspectives of different members of one family. |
| San Francisco ChronicleG. Allen JohnsonTo imagine the future, one must consider the past and be active in the present. C’mon C’mon is about the present, and how precious it truly is. |
| The New YorkerRichard BrodyC’mon C’mon is a tender and turbulent melodrama that amplifies its power with a documentary current. The result is a film of an extraordinary amplitude; it’s both poised and frenetic, contemplative and active, heartily sentimental and astringently contentious, intensively intimate and expansively world-embracing, exactingly composed and wildly spontaneous. |
| Screen DailyTim GriersonC’mon C’mon is a gentle drama, but its deep emotional wellspring is mitigated by how wise it is about what impossible little monsters kids can be when they’re acting out. |
| Vanity FairRichard LawsonMills makes this genre feel new and insightful, as if he’s one of only a few filmmakers who has tackled the complex dynamic between adult and child. |
| Paste MagazineNatalia KeoganIn amplifying the diverse voices of American children through the film’s radio vérité subplot, C’mon C’mon proves that kids have some pretty insightful advice to impart, if only we’d just listen. |