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Leave your thoughts about Chevalier.
| The Seattle TimesMoira MacdonaldHistory almost erased Joseph Bologne; this film lets him live again. |
| Boston GlobeOdie HendersonThough it occasionally pulls its punches, the blows Chevalier does land sting and leave a mark. |
| RogerEbert.comChristy LemireHarrison’s powerful performance and the chance to learn about this extraordinary artist make Chevalier more than worthwhile. |
| The GuardianEllen E JonesWhile Harrison’s performance may never fully reveal the nature of the man beneath these sumptuous layers of organza, silk and self-confidence, it’s enchanté Chevalier, all the same. |
| Screen RantMae AbdulbakiChevalier, about the violinist and composer Joseph Bologne, is magnetic, a historical fiction that elevates itself beyond the conventional biopic to deliver a memorable drama about its subject's life. |
| The Film StageJared MobarakA stirring tribute to a man of many talents, Chevalier gorgeously gives a once-forgotten virtuoso violinist the cinematic treatment. |
| IndieWireKate ErblandChevalier, despite its steadily devolving storytelling, is enjoyable and worthy of appreciation. When Williams and Robinson loosen up the strings and allow the film to feel as original and free as Bologne was at the height of his creative powers — a battle! with Mozart! with dueling violins! — and refuse to be beholden to the usual narrative beats and expectations, Chevalier soars. So does Harrison, whose cocky take on the young star is funny, flinty, and entirely justified. |
| ColliderMaggie LovittWith Oliver Garcia’s exquisite costumes and Karen Murphy’s production design, both brought alive to their full potential by Jess Hall’s stunning cinematography, Chevalier is not just a compelling story, it’s a visually compelling one too. |
| Original-CinKim HughesIn its eagerness to correct past wrongs and set the story straight, the film feels weirdly rigid, narratively predictable, and occasionally overstated. |
| The Associated PressLindsey BahrIn the end, Chevalier may be more fiction than history, but it’s worthwhile with effective acting, tension (helped by Kris Bowers’ score) and a decadently beautiful production. |
