
Jake Scully comes home to find his girlfriend with another man and has to find a new place. In between his acting workshops and his job in a vampire B-movie, he scans the paper looking for anything. He happens to meet Sam Bouchard, a fellow actor who needs a house sitter. Both are pleased with the arrangement that will have Jake staying in the house and for a sweetener, Sam shows him his favorite neighbor, a well-built woman who strips with her window open each night. Jake be... (Full plot summary below)
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Jake Scully comes home to find his girlfriend with another man and has to find a new place. In between his acting workshops and his job in a vampire B-movie, he scans the paper looking for anything. He happens to meet Sam Bouchard, a fellow actor who needs a house sitter. Both are pleased with the arrangement that will have Jake staying in the house and for a sweetener, Sam shows him his favorite neighbor, a well-built woman who strips with her window open each night. Jake becomes obsessed with meeting her and is able to help recover her purse from a thief, but shows his own phobia, he is incapacitated by claustrophobia when the thief runs through a tunnel. When Jake witnesses a murder, he finds out that the police love to pin crimes on peeping Toms. Jake discovers that here are just too many coincidences but must hunt them down himself without the police.
Leave your thoughts about Body Double.
| Slant MagazineEric HendersonBody Double, while not his finest, is the best candidate as De Palma’s signature film. It’s a wicked, feature-length double entendre from a Doublemint era. Take it at face value, take it for its prurience or take it for all it’s worth. Hell, try taking on all three at once. |
| Groucho ReviewsPeter CanaveseEmblematizes De Palma's refusal to take Hollywood seriously. |
| Chicago ReaderDave KehrBrian De Palma has gotten a bad rap on this one: the first hour of his 1984 thriller represents the most restrained, accomplished, and effective filmmaking he's ever done, and if the film does become more jokey and incontinent as it follows its derivative path, it never entirely loses the goodwill De Palma engenders with his deft opening sequences. |
| Miami HeraldBill CosfordA lewd, gory, twisty-turny murder mystery swirling around Hollywood's porn industry, Body Double finds Brian De Palma at the zenith of his cinematic virtuosity. The movie has been carefully calculated to offend almost everyone -- and probably will. But, like Hitchcock, De Palma makes the audience's reaction his real subject; Body Double is about the dark longings deep inside us. |
| NewsweekJack KrollBody Double is an exhilarating exercise in pure filmmaking, a thriller in the Hitchcock tradition in which there's no particular point except that the hero is flawed, weak, and in terrible danger -- and we identify with him completely. The movie is so cleverly constructed, with the emphasis on visual storytelling rather than dialogue, that we are neither faster nor slower than the hero as he gradually figures out the scheme that has entrapped him. |
| The New York TimesVincent CanbyIt's sexy and explicitly crude, entertaining and sometimes very funny. It's his most blatant variation to date on a Hitchcock film ("Vertigo"), but it's also a De Palma original, a movie that might have offended Hitchcock's wryly avuncular public personality, while appealing to his darker, most private fantasies. |
| The TelegraphRobbie CollinBody Double isn’t trash, misogynistic or otherwise. It’s unrepentantly trashy – not the kind of film you watch while your parents or kids are in the house, or with your curtains open. But it’s also a complex, provocative suspense thriller that bears comparison with the three immaculate Hitchcock classics – Vertigo, Psycho and Rear Window – it gleefully drags through the sludge. |
| The Film StageManuela LazicDe Palma’s exuberant style comes to perfect use when dream and reality become thus entwined: as soon as Jake and Gloria’s lips meet, the camera starts encircling the couple frenetically, as though struggling to capture this spiral of pure pleasure, while a green screen projection of the beach replaces the real one. |
| Ozus' World Movie ReviewsDennis SchwartzSleaze dominates the thin plot and absurd story line. |
| The ARTerySean BurnsA spectacularly sleazy send-up that finds the puckish, thin-skinned director confronting his critics and doubling down on everything that upstanding, respectable people hate about Brian De Palma films. |