Afterglow
Afterglow

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- 60/100 based on 3,717 votes

Two families are unhappy with their respective relationships: first of ambitious businessman Jeffrey Byron and sexually frustrated Marianne and second of repair contractor Lucky Mann and former B-movie actress Phyllis. When Lucky arrives to Byron's apartment to make some minor repair and Marianne becomes obsessed with him, the everyday balance breaks.... (Full plot summary below)

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Full Plot Details

Two families are unhappy with their respective relationships: first of ambitious businessman Jeffrey Byron and sexually frustrated Marianne and second of repair contractor Lucky Mann and former B-movie actress Phyllis. When Lucky arrives to Byron's apartment to make some minor repair and Marianne becomes obsessed with him, the everyday balance breaks.

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Movie Reviews

Entertainment Weekly - 9/10 by Owen GleibermanRomantic comedies usually strike one or two moods, but in Afterglow, the writer-director Alan Rudolph runs through rainbows of feeling in a single scene.
Variety - 9/10 by Emanuel LevyFollowers of Alan Rudolph's career will rejoice at his latest effort, Afterglow, an incredibly and incurably romantic comedy-drama that most perceptively dissects the delicate imbalances of two very modern but very different marriages.
L.A. Weekly - 8/10 by F. X. FeeneyIt's a first-rate chamber piece for actors, but Julie Christie brings a particularly layered depth to what could have been a very flat role; a combination of bereaved mother and castaway wife. Her torment and her intermittent joys are so fully communicated that they anchor the film.
San Francisco Chronicle - 8/10 by Ruthe SteinMate swapping is so '70s. But Alan Rudolph, who wrote and directed Afterglow, avoids making it seem dated by presenting the menage a quatre as accidental.
ReelViews - 8/10 by James BerardinelliWhile these may not be the most unusual themes to fashion into a motion picture, Rudolph's atypical approach to the characters and their situations makes for an intriguing, if not always pleasant, movie.
Empire - 8/10 by Simon BraundProceedings are further distinguished by Christie who is simply outstanding in a fiercely demanding role. It's an utterly absorbing performance and the keystone of a film which could, with some justification, be labelled a small masterpiece.
Dallas Observer - 8/10 by Jimmy FowlerAlthough Afterglow bears the lyrical slow-zooms, tracking shots, and idle character development Rudolph learned while working as an associate director on such Altman classics as Nashville (where he first met Christie), it's safe to say that much of the film's strong critical reception is due to the director's showcasing Christie's undiminished movie-star grace so reverently.
Christian Science Monitor - 8/10 by David SterrittNick Nolte gives a superb performance and Julie Christie is positively incandescent.
New York Daily News - 8/10 by Dave KehrAs a character study, the film is sensitive and precise, but the weak plot often flounders. Ultimately, Rudolph is a master at conveying mood, and gives Afterglow a melancholy feel that wisely never gives in to total despair.
Movie Eye - 8/10 by Frank OchiengAfterglow plants a cynical seed in its provocative examination of isolation, arbitrary emotional fulfillment, and marital stagnation. Christie dutifully fills the shoes of a wounded woman so convincingly

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Afterglow