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Leave your thoughts about Your Place or Mine.
| Chicago Sun-TimesRichard RoeperIn some ways, it’s not much, but in the ways that count, it’s more than enough. |
| San Francisco ChronicleMick LaSalleYour Place or Mine has a feeling of old and new about it. It’s an old-fashioned romantic comedy in that it depends almost entirely on the charm of its principal actors, Reese Witherspoon and Ashton Kutcher, yet it comes up with a new way of telling its story. |
| The PlaylistMarya E. GatesBoth breezy and deeply emotional, Brosh McKenna’s directorial debut could be a leader in the rom-com renaissance the movies have so desperately needed. |
| The A.V. ClubManuel BetancourtYour Place Or Mine isn’t that invested in crafting a world that looks anything like ours; it’s arguably more interested in giving its supporting cast’s ace one-liners (which, I’ll admit, is where the film sporadically got me chuckling). |
| The Hollywood ReporterLovia GyarkyeIt’s a breezy charmer — the kind of movie these obits have been mourning over the years. The film returns to the genre’s blueprint and sticks with it. There are a couple of instances of subversion, moments when Your Place or Mine winks and pokes fun at itself. But for the most part it doesn’t want to surprise or be more clever than the viewer; it aims to please, and in doing so helps re-energize the romantic comedy. |
| Wall Street JournalJohn AndersonWe can all see where this is going. In fact, if it didn’t go there we’d feel cheated, even though the route—as navigated by writer-director Aline Brosh McKenna, who wrote “The Devil Wears Prada” and co-created “Crazy Ex-Girlfriend”—is as roundabout as the performances and casting are straightforward. |
| Los Angeles TimesNoel MurrayWhat saves the picture is McKenna’s knack for finding something real and relatable within quirky comic characters like a hyper-organized overprotective mother and a swaggering cool guy who makes a living telling other people how to succeed. |
| Paste MagazineAurora AmidonMore than anything, Your Place or Mine will probably just make you wish you’d watched an old Kutcher or Witherspoon flick this Valentine’s Day, instead. |
| Rolling StoneK. Austin CollinsCut out the extra layers of nothingness piling up in the margins and you’ve got the kind of surreal tension that only romantic comedies, that dying but not dead genre, can offer: a case being made for romantic love, even when it doesn’t exist. |
| IndieWireKate ErblandBrosh McKenna knows her tropes, and when she finally, finally brings rom-com vets Witherspoon and Kutcher together IRL (for an airport-set love declaration, of course), we’re reminded why these things work so well, how cozy and comfortable the inevitable it is, how wonderful to wrap everything up with a big bow, even if we saw that gift coming from a mile (or 20 years) away. |
