Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar.... (Full plot summary below)
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Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar.
Leave your thoughts about Wounds.
| Film ThreatNorman GidneyWounds is a visceral, disturbing descent into the destruction of a man that hits all of the conventional horror notes with sadistic joy taking viewers on a ride straight to hell. |
| The New York TimesHelen T. VerongosThe lack of local color notwithstanding, the movie more than fulfills its promise to unsettle and to incite shivers — and it doesn’t quit. |
| VarietyAmy NicholsonAnvari has set out to make a mood piece that succeeds in scaring the audience senseless. |
| The Hollywood ReporterDavid RooneyVoracious genre consumers should get off on trying to decipher the densely textured film's murky ambiguities. |
| RogerEbert.comBrian TallericoArmie Hammer’s Will is definitely hollow at the core. Like a lot of protagonists of horror films, it is his overall weakness as a human being that makes him so vulnerable to the nightmare that unfolds in his life. |
| The TelegraphTim RobeyIt's decent but not deep fare, connecting most with the theme of alcoholism as a different kind of tempting but terrible abyss. |
| The PlaylistJason BaileyUltimately, it’s hard to figure out exactly what movie Anvari was trying to make. |
| The GuardianPeter BradshawOnce the wounds have healed, Anvari may wish to make a film with the strength and distinctiveness of his debut. |
| Screen InternationalTim GriersonThere’s nothing more terrifying in this film than the creative talent wasted on such shockingly mediocre material. |
| The GuardianBenjamin LeeThe performers are left with very little to work with and while Hammer does find away of making the most of his haunted alcoholic, Johnson and Zazie Beetz, two wonderful actors, are stranded with hopelessly one-dimensional roles. |
