
Ross Bodine and Frank Post are cowhands on Walt Buckman's R-Bar-R ranch. Bodine is older and broods a bit about how he will get along when he's too old to cowboy. Post is young and rambunctious and ambitious for a better life than wrangling cows. When one of their fellow cowboys is killed in a corral accident, Post suggests a way into a better life for himself and his friend: robbing a bank. Bodine reluctantly joins in the plan and the two contrive to rob the local bank. They... (Full plot summary below)
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Ross Bodine and Frank Post are cowhands on Walt Buckman's R-Bar-R ranch. Bodine is older and broods a bit about how he will get along when he's too old to cowboy. Post is young and rambunctious and ambitious for a better life than wrangling cows. When one of their fellow cowboys is killed in a corral accident, Post suggests a way into a better life for himself and his friend: robbing a bank. Bodine reluctantly joins in the plan and the two contrive to rob the local bank. They make good their escape initially, but Walt Buckman and his two sons, John and Paul, are incensed at this betrayal by their own trusted employees. John and Paul set out to bring Bodine and Post to justice.
Leave your thoughts about Wild Rovers.
| Movie ViewsRyan CracknellEdwards proves that he was a more diverse filmmaker than perhaps he was given credit for. |
| Time OutGeoff AndrewMarvellous performances and elegiac photography (by Philip Lathrop) are well complemented by Edwards' unusually light touch. |
| Ozus' World Movie ReviewsDennis SchwartzNever kicks in as anything more than a fashionable mood piece. |
| 7M PicturesKevin CarrWhether it was the writing or the directing, it just seemed to be a little aimless to me. |
| New York TimesVincent CanbyA film that is more compelling as the work of a specific director (whose thoughts have here turned west) than as an isolated entertainment, as an end in itself. |
| Cleveland PressTony MastroianniThere is natural simplicity and then there is a contrived simplicity that kind of yells out at you and says "Hey, look how simple and low-key this is." |
| User ReviewNoel VWild Rovers is possibly Blake Edward's masterpiece, a sometimes comical, sometimes violent, mostly mournfully tender film about two cowhands who decide to rob a bank. Not a perfect film--the bits that seemed borrowed from Peckinpah look exactly that, borrowed--but you might call this Edwards' reply to Peckinpah, that a film can be unflinching and still be concerned about other things than machismo, mayhem and madams. Edwards has a surer, gentler grasp of comedy than Peckinpah (bits of the funny stuff in The Wild Bunch is hard to take), his view of his characters feels more rueful, more subdued (an arguably more difficult achievement I submit), sometimes as densely textured and detailed as a Larry McMurtry western. The widescreen photography is not just shallowly gorgeous--Edwards seems to have a genuine grasp of how to fill all that wide space with interesting compositions. |
| User ReviewChris PI love the ending... the conversation at the end... wow!!! |
| User ReviewPaul DA slightly offbeat western, but just about beats the post 'Wild Bunch' death of the genre and is a notable achievement for Blake Edwards in an area he is not generally known for. |
| User ReviewRick Qnot sure if it was on purpose or not, but i found "wild rovers" to be incredibly cheesy. and whether it was on purpose or not, i liked that about it. i think the cheesiness worked partly because of the film's humor, which was, for the most part, actually pretty funny. though some parts dragged and felt like they were missing something, it wasn't enough to keep the movie from being an enjoyable one. |