
Three people live in a remote Buddhist monastery near Mount Chonan: Hyegok, the old master; Yong Nan, a young man who has left his extended family in the city to seek enlightenment - Hyegok calls him Kibong!; and, an orphan lad Haejin, whom Hyegok has brought to the monastery to raise as a monk. The story is mostly Yong Nan's, told in flashbacks: how he came to the monastery, his brief return to the city, his vacillation between the turbulence of the world and his hope to ove... (Full plot summary below)
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Three people live in a remote Buddhist monastery near Mount Chonan: Hyegok, the old master; Yong Nan, a young man who has left his extended family in the city to seek enlightenment - Hyegok calls him Kibong!; and, an orphan lad Haejin, whom Hyegok has brought to the monastery to raise as a monk. The story is mostly Yong Nan's, told in flashbacks: how he came to the monastery, his brief return to the city, his vacillation between the turbulence of the world and his hope to overcome passions and escape the idea of self. We also see Hyegok as a teacher, a protector, and a father figure, and we watch Haejin make his way as a curious and nearly self-sufficient child.
Leave your thoughts about Why Has Bodhi-Dharma Left for the East?.
| Arkansas Democrat-GazettePhilip Martin... amazingly beautiful, as every frame puts you in mind of a painting by Rousseau or Joseph Turner. |
| Combustible CelluloidJeffrey M. AndersonI occasionally found myself lost in thought and found the film an overall worthwhile experience. |
| User ReviewJoel BWhat can I say about this wonderful little movie? Other than it is a beautiful little slice of life rendered with elegant simplicity and great cinematography that manages to say sooo much with so little... Like a Zen parable... |
| User ReviewCameron MWhat was my original face before I was born? Don't know. I don't understand this don't know. The monitor is bright, the light reflects off my eyes Wonderful! |
| User ReviewEric TFilm as koan. Sublime. Simple. Exquisitely beautiful. |
| User ReviewRobert PPeaceful and meditative, if slightly impenetrable exploration of Zen buddhism. Beautifully composed this work pushes forward the boundaries of what can be achieved on film almost to a higher plane. The spareness of the script belies the depth contained within and shows that when not much is spoken out loud, what is said contains an unassuming power. "To leave is to arrive and to arrive is to leave" |
| User ReviewPrivate UPossibly the most visually and philosophically perfect film ever made. |
| User ReviewMarcel MA most intense visual experience. Spiritual teachings transmitted in sequences of immages... they sink in deeply and stick with you for years. |
| User ReviewZach LWell, its beautiful, and considering the fact that I know nothing about Zen Buddhism, this film does a really good job of providing a vehicle for meditation - in the theatre. The film is itself a Koan, or riddle, which will take me many viewings (and years) to more than halfway understand. Beautiful but among the slowest movies you will ever see. Less happens here than in Dreyer's Gertrud (and thats just fine)! |
| User ReviewJason EMeditative, unconventional, and somewhat confusing, but worth the effort. |