Three Colors: Red
Three Colors: Red

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- 81/100 based on 107,158 votes

Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion...... (Full plot summary below)

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Actors in Three Colors: Red:

Irène Jacob
Jean-Louis Trintignant
Frédérique Feder
Jean-Pierre Lorit
Samuel Le Bihan
Marion Stalens

Full Plot Details

Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion...

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Movie Reviews

CineVue - 10/10 by Patrick GambleThree Colours: Red is the trilogy’s anti-romance, depicting an unconventional love story blossoming against the insurmountable obstacle of age – perhaps the most adventurous and personal of the trilogy,
The Guardian - 10/10 by Peter BradshawWith music by Zbigniew Preisner, it is an almost supernatural contrivance: brooding on coincidence, fate and the insoluble mystery of other people’s lives, with some cosmic parallels and existential echoes that recall his earlier film The Double Life of Véronique. And all in a tone somehow both playful and laden with gnomic seriousness.
Chicago Sun-Times - 10/10 by Roger EbertThis is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.
ReelViews - 10/10 by James BerardinelliRed, the final chapter of Krzysztof Kieslowski's Three Colors trilogy, is a subtle masterpiece. With its satisfying exploration of such complex and diverse themes as destiny and platonic love, Red is not only a self-contained motion picture, but a fitting conclusion to the series.
The New York Times - 10/10 by Janet MaslinRed succeeds so stirringly that it also bestows some much-needed magic upon its predecessors, "Blue" and "White." The first film's chic emptiness and the second's relative drabness are suddenly made much rosier by the seductive glow of Red.
Washington Post - 10/10 by Desson ThomsonIn this final installment of a glorious trilogy (which includes the films “Blue” and “White”) he has saved his greatest for last.
San Francisco Chronicle - 10/10 by Edward GuthmannRed is the best of the lot: warmer, more accessible, unusually generous toward its characters. A mystical tale of chance encounters and unexpected connections, Red uses a traffic accident as a springboard to discovery.
Austin Chronicle - 10/10 by Jeff McCordThe film courses with vitality -- and makes you glad to be alive. Kieslowski's deft touch gives Red its real magic; in the end, the subtle nuances are what stay with you.
Variety - 10/10 by Lisa NesselsonRed, the beautifully spun and splendidly acted tale of a young model’s decisive encounter with a retired judge, is another deft, deeply affecting variation on Krzysztof Kieslowski’s recurring theme that people are interconnected in ways they can barely fathom. If it’s true — as the helmer has announced — that this opus will be his last foray into film directing, Kieslowski retires at a formal and philosophical peak.
The Guardian - 8/10 by Derek MalcolmIt is a film of much humanity and very far from smart European pap. But the external brilliance of its making does at times subvert its inner workings, as if its manufacture and its meaning were not quite in perfect harmony.

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