Welcome to L.A.
Welcome to L.A.

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- 59/100 based on 1,133 votes

This mosaic comedy-drama tells the story of a La Ronde-like circle of romantic adventures and failed affairs centered around a songwriter named Carroll Barber and his father Carl Barber. There is a trail of Carroll's past relationship spread throughout the city of Los Angeles. Barber is an aloof womanizer who cannot commit to any relationship, and is used to illustrate the loneliness of Los Angeles big-city life. Among the women in his life are Ann Goode, a lonely real estate... (Full plot summary below)

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Full Plot Details

This mosaic comedy-drama tells the story of a La Ronde-like circle of romantic adventures and failed affairs centered around a songwriter named Carroll Barber and his father Carl Barber. There is a trail of Carroll's past relationship spread throughout the city of Los Angeles. Barber is an aloof womanizer who cannot commit to any relationship, and is used to illustrate the loneliness of Los Angeles big-city life. Among the women in his life are Ann Goode, a lonely real estate agent, Karen Hood, a Valley housewife addicted to taxi rides, Linda Murray, a woman prone to vacuuming in the nude and Nona Bruce, the snapshot-taking mistress of a wealthy man.

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Movie Reviews

User Review - 6/10 by Steve BAlan Rudolph's directorial debut remains odd, quirky and filled with a sort of lazy and erotically charged energy. Far from perfect, but a very interesting perspective on a very specific group of people, place and time long since gone.
User Review - 6/10 by Greg Wsort of altman-lite, tho rudolph is a bit more of a romantic. this is altman's erstwhile assistant's debut feature, which seems like the continuing adventures of keith carradine's character in 'nashville'. he plays a writer of rather bad songs and son of a millionaire, who has a string of relationships with altman regulars sally kellerman, geraldine chaplin, sissy spacek, etc. even lauren hutton and harvey keitel are in this, harvey smoking a pipe and acting mostly uptight. some good performances and dialogues and structure similar to 'shortcuts', this was the first of a trilogy that ended with the far superior 'choose me'. rudolph seems to use distinctive music in each of his films, and the biggest problem here was the terrible folk-rock singer, richard baskin, whose performances throughout provide a running commentary on the characters' lonely lives. it was all i could do not to fast forward through these parts, but the film was interesting enough to finish
User Review - 2/10 by Thomas KAlan Rudolph's first film and it's as if he took the worst ideas of Jean-Luc Godard and his mentor, Robert Altman, and thought they were gold. The film is truly awful but I've never really been able to resist it, to my utter shame.
User Review - 2/10 by David Jwhat a boring uninteresting mess....even with Altman producing and Rudolph cribbing some of his moves and pretty good performances by Spacek and Keitel, this just wasn't good.

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Welcome to L.A.