We Don't Live Here Anymore
We Don't Live Here Anymore

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- 63/100 based on 9,816 votes

The movie is set in the Pacific Northwest; specifically, Washington state. We know this from a glimpse of a license plate, the craftsman architecture of the two houses, and the mature, rich landscapes in between. The setting, like the scrutiny of the four main character's lives, is defined by the narrowness of the camera's field-of view. The one commercial street in town is only seen in the reflection of a store window, a shot of a non-descript auto-yard, or the tunnel of a t... (Full plot summary below)

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Full Plot Details

The movie is set in the Pacific Northwest; specifically, Washington state. We know this from a glimpse of a license plate, the craftsman architecture of the two houses, and the mature, rich landscapes in between. The setting, like the scrutiny of the four main character's lives, is defined by the narrowness of the camera's field-of view. The one commercial street in town is only seen in the reflection of a store window, a shot of a non-descript auto-yard, or the tunnel of a tree-lined suburban sidewalk. The lush, wooded landscape is understood as an immediate presence in the domestic and professional lives of the characters; a steep hill, railroad tracks, a rushing stream, and a path over an old steel bridge are revisited again and again by the characters in their capacities as lovers, parents and friends.

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Movie Reviews

Entertainment Weekly - 10/10 by Owen GleibermanThe film is at times harrowing to watch, yet it's also wry and delicate and absorbing. It's infused with the messy excitement of imperfect passion.
Village Voice - 9/10 by J. HobermanNaomi Watts is a tremendous movie actress. She need only sidle on camera and glance over the terrain to claim the scene. What's her secret? Like the great Isabelle Huppert, Watts doesn't radiate feelings so much as she absorbs them.
USA Today - 9/10 by Claudia PuigA revelation. One rarely sees American-made movies that are so unafraid to explore emotional cruelty and portray the consequences without positing easy answers or attaching happy endings.
culturevulture.net - 9/10 by Arthur LazereAudiences may or may not feel that the insights skillfully shared justify this acutely claustrophobic microcosm of domestic misery.
Newark Star-Ledger - 9/10 by Stephen WhittyA movie for grownups about four childish adults.
The Coast (Halifax, Nova Scotia) - 9/10 by Mark PalermoDramatically engaging... but it's hard to stop hoping for the characters to finally get some therapy and put an end to this misery parade.
Internet Reviews - 9/10 by Steve RhodesAn intriguing and often gripping character study.
Film Threat - 9/10 by Michael FerraroGreat performances and candid dialogue don't make up all the essence of a great film. The actual story itself is where the film falls flat.
FilmFocus - 9/10 by Scott AndrewsOccasionally difficult to watch, but always gripping, and full of hard, painful truths, this is adult film making at its very best.
The New Yorker - 9/10 by David DenbyEasily the best American movie so far this year.

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We Don't Live Here Anymore