Final Analysis
Final Analysis

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- 59/100 based on 14,912 votes

A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to get a divorce, but she is afraid of what her husband would do. She has a medical condition that becomes apparent when she drinks. One night she drinks anyway and attacks her husband. The psychiatrist uses his professional pull to try and help her out of the consequences of her actions, but be... (Full plot summary below)

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Full Plot Details

A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to get a divorce, but she is afraid of what her husband would do. She has a medical condition that becomes apparent when she drinks. One night she drinks anyway and attacks her husband. The psychiatrist uses his professional pull to try and help her out of the consequences of her actions, but becomes uncertain if she is telling him the truth.

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Movie Reviews

Chicago Tribune - 10/10 by Johanna SteinmetzMay be the best "new" American movie released this year.
Chicago Reader - 10/10 by Jonathan RosenbaumThe grafting of 40s hard-boiled detective story with SF thriller creates some dysfunctional overlaps, and the movie loses some force whenever violence takes over, yet this remains a truly extraordinary, densely imagined version of both the future and the present, with a look and taste all its own.
Washington Post - 10/10 by Rita KempleyGrand enough in scale to carry its many Biblical and mythological references, Blade Runner never feels heavy or pretentious -- only more and more engrossing with each viewing. It helps, too, that it works as pure entertainment.
The Hollywood Reporter - 10/10 by Robert OsborneBlade Runner is a cold, bold, bizarre and mesmerizing futuristic detective thriller that unites the British-born director of Alien with new box-office dynamo Harrison Ford for results that are as impressive as any film that's exploded through a projector so far this year.
Entertainment Weekly - 9/10 by Owen GleibermanThe most gripping performers are on the sidelines: Eric Roberts, a master of hyperbolic sliminess (he’s like Cagney playing a pimp on steroids), and Uma Thurman, who brings her underwritten role a hundred shades of curiosity, brattishness, and hopeless romantic fervor. She couldn’t be a stand-in if she tried.
USA Today - 9/10 by Susan WloszczynaIt looks fabulous, it uses special effects to create a new world of its own, but it is thin in its human story.
The Associated Press - 9/10 by Bob ThomasBlade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide. Currently, the film is available in the United States only in the director's cut. Warner Brothers, however, has promised an exhaustive box set next year with multiple versions. It will be interesting to see whether those editions offer new insights or expand upon the film's already rich tapestry.
The Spectator - 9/10 by Vanessa LettsConcluded on a level of humdrum normality which made everything that preceded it seem stupider than ever.
Variety - 7/10 by Variety StaffTantalizing double-crosses mount right up to the eerie final scene.
Orlando Sentinel - 7/10 by Jay BoyarIn the final analysis, the action-picture mechanics of the film are too limiting. No Mercy barely has a subject, much less a theme. Yet moments from the picture linger in the mind. If you don't leave the theater satisfied, you may at least be moved.

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