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We Always Lie to Strangers

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- 73/100 based on 66 votes

Four families experience love and loss in this gorgeous portrait of America's heartland.... (Full plot summary below)

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Full Plot Details

Four families experience love and loss in this gorgeous portrait of America's heartland.

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Movie Reviews

Film Threat - 7/10 by Elias SavadaLike the Leap Day tornado that hit the area in 2012, there's a resiliency afoot here. We Always Lie to Strangers won't muster up storm-size crowds (well, it might if they play it in Branson), but it's a nicely observed slice of life...
Nonfics - 4/10 by Dan SchindelThe doc doesn't have much more weight than the average Branson show.
Moveable Fest - 4/10 by Stephen SaitoA movie as entertaining as the tireless performers it presents, healthily skeptical but not condescending and a simply a joy to watch.
User Review - 10/10 by Matthew MBeautiful. Smart. Honest. This is an elegant observation on the Midwest in the recession. Terrific film.
User Review - 10/10 by Ian GI would love for this movie to be a TV show so I can visit these people every week.
User Review - 8/10 by Scott MVery entertaining movie. The filmmakers embedded themselves well and made a colorful movie without need for contrivance or exaggerated story arcs.
User Review - 6/10 by Chandra LNot as in depth into the actual production/show side of it as I was hoping but still interesting.
User Review - 6/10 by Laura MIt was a bit disorganized but also interesting.
User Review - 2/10 by Timothy SI saw this at the opening of the St. Louis International Film Festival, and can say without hesitation that it is the worst film I've ever seen at the Tivoli Theatre, and the worst film I've seen in my years of attending Festival screenings. It is a film without a thesis, a rambling mess, full of people with whom I have no desire to spend any time, set in a place where nobody is from, and where everybody is stuck. The director introduced it as "a love letter to Missouri", but that's like saying that Psycho is a love letter to the hospitality industry. The Missouri presented herein is a bleak place, to be sure. The film is intrusive upon its subjects, sharing moments in these people's lives that have nothing to do with anything, and are frankly none of our business (The mayor's mother is having a painful attack of some sort? Let's keep those cameras rolling and watch her go into the ambulance, privacy be damned. Nevermind that we don't let the audience know whether she was all right or not). It's an uncomfortable film to watch, with sequences that don't go anywhere, too much time dedicated to insufferable people and pointless activities (Will Grandpa butter his biscuit? Will the screaming child get fed before or after singing "Respect"? Whose pie will Al Roker look the least uncomfortable eating?), and not enough time dedicated to the Lennon family, who are by far the most watchable and tolerable people in the film. (Special mention: The Lennon Family performed live before the film and were very pleasant indeed.) What a disappointing start to the Festival, a portrait of economic hardship and insular politics, masquerading as a "love letter to Missouri". Shameful.

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We Always Lie to Strangers