A virus breaks out, resulting in a chilling massacre through the streets of Montevideo. The infected become hunters and only calm their fever by unscrupulously killing all those who have not caught the virus yet. Unaware of this, Iris and her daughter spend the day at the sports club where Iris works as a security guard. When night comes, she is about to start a merciless fight. Her only hope of salvation comes when they discover that after each attack the infected seem to fa... (Full plot summary below)
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A virus breaks out, resulting in a chilling massacre through the streets of Montevideo. The infected become hunters and only calm their fever by unscrupulously killing all those who have not caught the virus yet. Unaware of this, Iris and her daughter spend the day at the sports club where Iris works as a security guard. When night comes, she is about to start a merciless fight. Her only hope of salvation comes when they discover that after each attack the infected seem to fall into a 32-second trance of calmness and stillness before charging again.
Leave your thoughts about Virus: 32.
| SlashfilmAnya StanleyThe routine genre elements are forgivable blips on a technically gripping journey through one woman's fight for survival in a world whose perils, like ours, are increasingly impossible to maneuver. |
| Paste MagazineMatt DonatoVirus: 32 is another entry into an overdone niche that gets the job done through competent storytelling with an emphasis on trauma, monster terrors and hasty pacing that sprints ahead with berserker fierceness. It’s too familiar to be outstanding, but fulfilling enough as a reliable treat. |
| The Film StageJared MobarakThe only certainty is a parent’s love for their child and those excruciatingly tense 32 seconds post-kill. Add a memorable atmosphere of hazy dread augmented by a couple long-takes and the journey proves itself worthy. |
| Movie NationRoger MooreIt’s not all that original and not actually on a par with the benchmark films of this corner of horror, “Night of the Living Dead,” “28 Days Later,” “World War Z” and “Zombieland.” But Hernández shows a flair for thrillers and an eye for showy visual storytelling that, with his third film (after “La casa muda” and “You Shall Not Sleep”) establishes him as a horror director to watch. |
