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Vincere

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- 69/100 based on 5,778 votes

The story of Ida Dalser, who fell in love with the future Italian Fascist leader, Benito Mussolini, supported him while he was unemployed in the early 1910s, and married him, presumably around 1914. She bore Mussolini a son, Benito Albino, before the outbreak of World War I. The two lost touch during the war years and, upon discovering him again in a hospital during the war, she also discovered Rachele Guidi, who had married Mussolini in 1915, and a daughter born in 1910 when... (Full plot summary below)

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Full Plot Details

The story of Ida Dalser, who fell in love with the future Italian Fascist leader, Benito Mussolini, supported him while he was unemployed in the early 1910s, and married him, presumably around 1914. She bore Mussolini a son, Benito Albino, before the outbreak of World War I. The two lost touch during the war years and, upon discovering him again in a hospital during the war, she also discovered Rachele Guidi, who had married Mussolini in 1915, and a daughter born in 1910 when Guidi and Mussolini were living together. Historically, following his political ascendancy, Mussolini suppressed the information about his first marriage and he (through the Fascist party) persecuted both his first wife and oldest son and committed them forcibly to asylums.

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Movie Reviews

Minneapolis Star Tribune - 10/10 by Colin CovertVincere is a thrilling period drama about the power of delusions.
Boston Globe - 10/10 by Wesley MorrisSetting aside, just for a moment, his general loathsomeness, there is a case to be made for a less apparent aspect of Benito Mussolini: He was once really hot.
Combustible Celluloid - 10/10 by Jeffrey M. AndersonInstead of focusing on re-creating historical moments, Bellocchio invents one truly stunning image after another to fill in the blanks around the historical moments.
Mountain Xpress (Asheville, NC) - 9/10 by Ken HankeQuite the most unusual and striking film I've seen in some time.
New York Magazine/Vulture - 9/10 by David EdelsteinThe movie, a near-masterpiece, is a monument to intoxication: of sexual conquest, of military conquest, and, most of all, of cinema.
Film.com - 9/10 by Jonathan F. RichardsBellocchio has turned the story of Mussolini's discarded wife and son into a movie that has some of the bully swagger and excess of Il Duce himself.
The Atlantic - 9/10 by Ed KochIt is good and worth seeing but not great.
Slant Magazine - 9/10 by Andrew SchenkerIf Bellocchio's film were nothing but a recreation of a forgotten historical footnote, it would stand as an accomplished bit of work and the discussion would end there. But crafting a skillful period drama is only the beginning of the filmmaker's ambition
culturevulture.net - 9/10 by Paula FarmerThis is one of those films that make you so wonderfully aware of the art of filmmaking, when key elements such as acting, photography, music and set magically come together.
Arkansas Democrat-Gazette - 9/10 by Philip Martin...an operatic sendup of the strongman as monument, a tongue-in-cheek indictment of absolute power that at times comes dangerously close to deification.

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