U-Carmen eKhayelitsha
U-Carmen eKhayelitsha

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U-CARMEN is a feature film based on Georges Bizet's 19th-century opera that was filmed on location in a modern South African township setting. The energy, compassion, and heat of township life in all its elements create a constantly visually interesting and dynamic background for the unfolding of the story, which owes part of its huge popularity to the thrilling combination of a violent gangster tale with a passionate, almost supernatural love story. As it unfolds, it explore... (Full plot summary below)

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Full Plot Details

U-CARMEN is a feature film based on Georges Bizet's 19th-century opera that was filmed on location in a modern South African township setting. The energy, compassion, and heat of township life in all its elements create a constantly visually interesting and dynamic background for the unfolding of the story, which owes part of its huge popularity to the thrilling combination of a violent gangster tale with a passionate, almost supernatural love story. As it unfolds, it explores issues of fame and wealth, the position of a strong and independently minded woman in a very masculine society and, perhaps most importantly, the incomprehensible attraction between abuser and victim. Bizet's opera, based on Prosper Merimée's novel, premiered in Paris on March 3, 1875. Set in a poor area of Seville, the story of the magnetic woman who seduces, loves, and ultimately destroys her lover and herself, is well known. Girl (Carmen) seduces boy (Don José), boy becomes completely obsessed, girl leaves boy for another (the Matador), boy in a jealous rage kills her. Carmen's mother-obsessed soldier lover who is displaced by the glamorous matador is one of the greatest tragic figures in all of musical theater. But the story is her story. Why does she push her soldier into violence? Why doesn't she escape at the last moment? What drives her to destruction? Although these fascinating aspects of human relationships are explored in a penetrating and at times uncomfortable way, this is no intellectual journey but a bawdy, passionate, and vibrant tale with enormous warmth and heat, and some of the greatest tunes ever written. The fantastic vitality and huge skill of the performers from Dimpho Di Kopane make an impact beyond that achieved by any filmed opera to date. The soundtrack, recorded by Dimpho Di Kopane with Imbumba, a young South African orchestra, combines Bizet's score with traditional South African music, which creates a powerful musical experience.

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Movie Reviews

New York Daily News - 9/10 by Elizabeth Weitzman[Director] Dornford-May deftly balances the details of his setting with the universality of his themes, exploring every dusty corner of a village thrumming with tension between patriarchal leaders and strong-willed women.
Jam! Movies - 9/10 by John Coulbourn[Dornford-May] and his cast take the familiar strains of one of the world's best-known works of opera and, by blending it with the sights and ambient sounds of South Africa, transform it into something that is both as old as pain and as new as hope.
Time Out - 8/10 by Martin HoyleU-Carmen hits the bull's eye, 'Toreador's or not.
Vue Weekly (Edmonton, Alberta) - 8/10 by Brian GibsonA fiery fusion of low-budget cinema and stately opera, street life and high art . . . offers a refreshing portrayal of female sexuality as voluptuous, bawdy, exuberant and unconquerable.
New York Post - 8/10 by V.A. MusettoA vivacious film that is a treat for eyes and ears.
Film Journal International - 8/10 by Maria GarciaU-Carmen is brash, often strident, yet in the end it is not cathartic.
WBAI Web Radio - 8/10 by Prairie MillerCentral to an expression of new female South African pride, is the lovely Pauline Malefane as Carmen, whose astonishing vocal power embodies both feminine grace and charm, along with bold, militant proletarian fire.
Toronto Star - 8/10 by Susan WalkerTells a complicated story, gives unique voice to a classic piece of music, and opens a window on contemporary South Africa in a pleasing, symmetrical fashion.
Empire Magazine - 6/10 by Patrick PetersBizet's music is superb, the township setting ambitious and the performances boldly vibrant. But the action doesn't always escape its stage origins and occasionally feels static and self-conscious.
Slant Magazine - 6/10 by Ed GonzalezThough not the best film version of Bizet's famous opera Carmen, Mark Dornford-May's Berlin Bear-winner from 2005 may be among the most loyal.

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