
Jonah Hill plays Michael Finkel, a recently terminated New York Times journalist who's struggling for work after a story gone wrong. One day, he receives a phone call from a man regarding an FBI Most Wanted individual named Christian Longo, who's been captured and claimed to be living as Finkel. Longo and Finkel meet and form a potentially marriage shattering bond while Longo is in prison awaiting his trial. Finkel exchanges journalism tips for the real events behind Longo's ... (Full plot summary below)
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Jonah Hill plays Michael Finkel, a recently terminated New York Times journalist who's struggling for work after a story gone wrong. One day, he receives a phone call from a man regarding an FBI Most Wanted individual named Christian Longo, who's been captured and claimed to be living as Finkel. Longo and Finkel meet and form a potentially marriage shattering bond while Longo is in prison awaiting his trial. Finkel exchanges journalism tips for the real events behind Longo's alleged heinous acts of murdering his family. Through the twists and turns in the movie, only at the end will Finkel uncover the True Story.
Leave your thoughts about True Story.
| Chicago Sun-TimesRichard RoeperThe courtroom scenes are unapologetically over-the-top and sometimes excruciatingly exact in the details of the murder, but you won’t soon forget Franco’s expertly nuanced performance. It’s as good as any work I’ve seen in a film in 2015, and True Story is one of the better movies to come along this year. |
| The PlaylistKatie WalshThe film is exceptionally well-made... There is nothing warm about the style, yet it allows for moments of simmering tension, broken by a few emotional explosions that shatter its well-composed surface. |
| Miami HeraldRene RodriguezTrue Story marks the directorial debut of Rupert Goold, a respected British theater veteran who also co-wrote the script and knows how to engage the viewer with simple scenes of two people talking (with a few modifications, this could have easily been a play). |
| EmpireDavid HughesThe former comedy co-stars (Knocked Up) are superbly cast in this fascinating, fact-based story. |
| Tampa Bay TimesSteve PersallTrue Story may someday be used in both acting and journalism classes, the former for what students should do, and the latter for what they shouldn't. |
| ReelViewsJames BerardinelliThose looking for a clear-cut chronology of how the murders happened are destined for disappointment. Flashbacks of the crime are short and ambiguous. |
| St. Louis Post-DispatchJoe WilliamsWhile the movie sometimes seems like faux Fincher, the symbiotic acting, artful imagery and punchline ending turn True Story into credible entertainment. |
| Movie NationRoger MooreThe reporter/convict dynamic doesn’t have enough layers to carry the film without some hint of mystery. The relationship between the two, chilling as it is, never raises this “Story” from generic to profound. |
| Arizona RepublicBill GoodykoontzTrue Story never really soars in the way it might, but the performances more than keep it aloft. |
| VarietyPeter DebrugeWhile never as gripping as a good piece of fiction, Goold’s treatment actually manages to improve on the book, even if that meant fabricating a few things along the way. |