
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot b... (Full plot summary below)
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Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection.
Leave your thoughts about Tootsie.
| Greenwich Village GazetteEric LurioBetter than it should be, but doesn't work well with repeated viewings. |
| MovieholeClint MorrisOne of the funniest films of the Reagan-era |
| Creative LoafingMatt BrunsonHoffman is magnificent in his dual role, though it's Bill Murray who stealthily steals scenes. |
| Q Network Film DeskJames Kendricka wonderful movie, full of warmth and good humor balanced with both farcical silliness and level-headed recognition of certain social truths about the sexes we often want to ignore |
| Slant MagazineChuck BowenThe film, as a whole, isn’t quite up to the phenomenal dexterity of its lead’s exertions. But there’s a legitimate reason people love this movie so much: Pollack syphoned Hoffman’s ecstatic electricity off into a popular and old-fashioned romantic-comedy formula, bringing it back to life. Tootsie is a remarkably gentle and human pop movie that informs the term “escapism” with an almost cleansing sense of decency. |
| The New York TimesVincent CanbyTootsie is the best thing that's yet happened at this year end. It's a toot, a lark, a month in the country. |
| Spirituality and PracticeFrederic and Mary Ann BrussatA rousing comedy that deals with the agonies and ecstasies of the acting profession, the confusion of sexual roles, and the importance of lovers being friends. |
| Entertainment WeeklyAri KarpelSometimes a movie’s turmoil isn’t a sign of impending doom so much as one of impending brilliance. |
| ReelViewsJames BerardinelliTootsie works for three reasons: a sharp screenplay, good comic timing, and delightful performances. |
| Miami HeraldBill CosfordThe tone is quick-witted and appealing, with some of the smartest dialogue this side of Billy Wilder, and a wonderfully sure-footed performance from Jessica Lange (as her/his girlfriend). But the film never comes within a thousand miles of confronting its own implications: Hoffman's female impersonation is strictly on the level of Dame Edna Everage, and the script's assumption that 'she' would wow female audiences is at best ridiculous, at worst crassly insulting to women. |