
Subverting dramaturgical conventions Provost masterfully presents the man in the street as a film protagonist. After New York (Plot Point) and Las Vegas (Stardust) he takes his hidden camera to the streets of Tokyo in this final chapter of his Plot Point trilogy, reflecting on the confrontation between reality and fiction.... (Full plot summary below)
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Subverting dramaturgical conventions Provost masterfully presents the man in the street as a film protagonist. After New York (Plot Point) and Las Vegas (Stardust) he takes his hidden camera to the streets of Tokyo in this final chapter of his Plot Point trilogy, reflecting on the confrontation between reality and fiction.
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