
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in love along the way with a girl met at their hideout, the older man is a happy professional criminal with a romance of his own, the third is a fast lover and hard drinker fond of his work. The young lovers begin to move out of the sphere in which they have met, a last robbery in Yazoo City g... (Full plot summary below)
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Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in love along the way with a girl met at their hideout, the older man is a happy professional criminal with a romance of his own, the third is a fast lover and hard drinker fond of his work. The young lovers begin to move out of the sphere in which they have met, a last robbery in Yazoo City goes badly and puts paid to the gang once and for all as a profitable venture, but isn't the end of the story quite yet, as all three are wanted and notorious men with altogether different points of view on the situation they are faced with.
Leave your thoughts about Thieves Like Us.
| San Francisco ChronicleDavid WiegandRemove all the crime-movie trappings—and there aren't that many, once Altman gets through with them—and the film would still endure for its surface alone, capturing the Depression-era South with brushstrokes of language, décor, and radio-plays on the soundtrack. |
| TIME MagazineJay CocksIn many ways, Thieves Like Us is Altman's best work yet, his most stringent and evocative. |
| Slant MagazineJeremiah KippThis isn’t simply another version of the mythologizing tactics that saw Bonnie Parker emulating the flappers from Gold Diggers of 1933 in Bonnie and Clyde. Altman refuses to romanticize his characters’ impressionable innocence, but nor is he resolute to assert cultural impregnability either. Instead, Altman’s emphasis lies in locating the specificities of historical time and understanding how socially constructed mythologies come to proliferate in the first place. |
| Chicago TribuneMichael WilmingtonOne of Robert Altman's lesser known gems, Thieves Like Us, brings Depression-era rural Mississippi to life with the story of three convicted killers on the lam from prison. |
| Entertainment WeeklyGilbert CruzAnchored by Keith Carradine and Shelley Duvall’s romance and full of Altman’s typical aural flourishes (old-time radio shows serve as the soundtrack), Thieves Like Us proves that it takes both joy and melancholy to equal nostalgia. |
| Chicago Sun-TimesRoger EbertLike so much of his work, Robert Altman’s Thieves Like Us has to be approached with a certain amount of imagination. Some movies are content to offer us escapist experiences and hope we’ll be satisfied. But you can’t sink back and simply absorb an Altman film; he’s as concerned with style as subject, and his preoccupation isn’t with story or character, but with how he’s showing us his tale. |
| EmanuelLevy.ComEmanuel LevyAltman's ironic deconstruction of the Hollywood "couple on the run" genre, with direct references to They Live By Night and Bonnie and Clyde |
| New YorkerPauline KaelRobert Altman finds a sure, soft tone in this movie, from 1974, and he never loses it. His account of Coca-Cola-swigging young lovers in the thirties is the most quietly poetic of his films; it’s sensuous right from the first pearly-green long shot, and it seems to achieve beauty without artifice. |
| Video-Reviewmaster.comSteve CrumGreat Altman film with strong work by Carradine and Duvall. |
| New York Magazine (Vulture)Judith CristA well-done remake of They Live By Night that's slightly long but unusually free of Altman's customary indulgences. |