Lawrence Talbot's (Benicio Del Toro's) childhood ended the night his mother died. His father sent him from the sleepy Victorian hamlet of Blackmoor to an insane asylum, then he went to America. When his brother Ben's (Simon Merrells') fiancée Gwen Conliffe (Emily Blunt), tracks him down to help find her missing love, Talbot returns to his father's estate to learn that his brother's mauled body has been found. Reunited with his estranged father Sir John Talbot (Sir Anthony Ho... (Full plot summary below)
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Lawrence Talbot's (Benicio Del Toro's) childhood ended the night his mother died. His father sent him from the sleepy Victorian hamlet of Blackmoor to an insane asylum, then he went to America. When his brother Ben's (Simon Merrells') fiancée Gwen Conliffe (Emily Blunt), tracks him down to help find her missing love, Talbot returns to his father's estate to learn that his brother's mauled body has been found. Reunited with his estranged father Sir John Talbot (Sir Anthony Hopkins), Lawrence sets out to find his brother's killer, and discovers a horrifying destiny for himself. Someone or something with brute strength and insatiable blood lust has been killing the villagers, and a suspicious Scotland Yard Inspector named Aberline (Hugo Weaving) comes to investigate.
Leave your thoughts about The Wolfman.
| Entertainment WeeklyOwen GleibermanDel Toro, with his melancholy-brute features, endows this raging beast with some of the ''Why me?'' poignance you may remember from Lon Chaney Jr.'s performance in the original. |
| Chicago TribuneMichael PhillipsDoggedly, or rather wolfishly, the film doesn't go in for camp or mirth, at least until its misjudged and semi-endless wolf-on-wolf climax. |
| Orlando SentinelRoger MooreThe matter-of-fact way everybody involved faces this supernatural horror drains most of the chills right out of it. |
| ObserverRex ReedBut the direction by Joe Johnston (Honey, I Shrunk the Kids) sacrifices originality for computer graphics and stop-motion camera tricks, and the script, by Andrew Kevin Walker and David Self, bulges with real howlers: “I didn’t know you hunted monsters.” “Sometimes monsters hunt you!” |
| PremiereJohn DeVoreIsn’t like a lot of modern horror movies. It’s not about torture, or dead children, or weepy vampires with great hair. It’s an attempt to reinvent the monster movie, which we're all about. It’s too bad it couldn’t have been contemporized. Period movies can so easily become parodies of portentousness, and that’s what happens with this one. |
| Boxoffice MagazineRay GreeneBenicio Del Toro looks even more like Lon Chaney Sr. than Chaney Jr. did, and he’s a far better actor than the previous Wolf Man. |
| Boston GlobeTy BurrThe movie is by no means good but it’s surprisingly enjoyable: a misty, moody Saturday-matinee monster-chiller-horror special. |
| New York Daily NewsJoe NeumaierIf you're going to pick the werewolf as your favorite monster, there's a lot to appreciate in the shaggy, imperfect but still fun new version of The Wolf Man. |
| New York PostKyle SmithAs a spooky midnight movie, The Wolfman is worth curling up with. |
| Chicago Sun-TimesRoger EbertThe Wolfman avoids what must have been the temptation to update its famous story. It plants itself securely in period, with a great-looking production set in 1891. |
