
The Wingo family is from South Carolina, they growing up in a house on a tidal plain. The oldest offspring, Lucas, largely acted as the protector for his younger twins siblings, Tom and Savannah, in light of their dysfunctional growing up, with their shrimper father, Henry, distant and abusive if/when he did pay them any attention, and their mother, Lila, while not doting on them most concerned about appearances and striving for social standing. Now in middle age, Savannah is... (Full plot summary below)
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The Wingo family is from South Carolina, they growing up in a house on a tidal plain. The oldest offspring, Lucas, largely acted as the protector for his younger twins siblings, Tom and Savannah, in light of their dysfunctional growing up, with their shrimper father, Henry, distant and abusive if/when he did pay them any attention, and their mother, Lila, while not doting on them most concerned about appearances and striving for social standing. Now in middle age, Savannah is a New York based poet, Tom, still living on the South Carolina coast outside of Charleston with his wife Sally and their own three doting daughters, taking a break from his high school teaching/football coaching job, while Lucas has long since died while still standing up for himself and his beliefs. Lila, divorced and now remarried with that wealth and social standing she so long desired, receives news that Savannah is in the hospital following her most recent suicide attempt. Not wanting to face the blame directly as she suspects, she assigns Tom to go to New York to speak to Savannah's therapist, Susan Loewenstein, to provide any information of a family history nature that could help in Savannah's recovery. Tom agrees despite hating New York, and it being not a good time since he and Sally are experiencing marital problems, they both just knowing that things between them are not working, and not having been intimate in months. As Tom and Loewenstein (as he calls her) begin their sessions, Tom is slow to divulge the Wingo family problems to her. But he learns that she too is having her own family problems, with her concert violinist husband Herbert Woodruff being self absorbed and condescending, with their young adult son, Bernard, hating both largely because of they predestining his life also as a concert violinist. Tom and Loewenstein's sessions blossom into a friendship and romance, where their talks, in addition to helping Savannah, may help them both in dealing with their own life problems, Tom's which have been long buried figuratively and literally.
Leave your thoughts about The Prince of Tides.
| The New York TimesJanet MaslinThe Prince of Tides marks Ms. Streisand's triumphantly good job of locating that story's salient elements and making them come alive on the screen. |
| Boston GlobeJay CarrAn assured and very serious love story that allows neither humor nor romance to get in the way of its deeper and darker subject. |
| Chicago ReaderJonathan RosenbaumThe results may seem overripe and dated in spots, but she coaxes a fine performance out of Nolte, and the other actors (herself included) acquit themselves honorably. |
| St. Louis Post-DispatchJoe PollackBringing her usual strengths of character to her role as Nolte’s psychiatrist/lover, Barbra Streisand marks every frame with the intensity and care of a filmmaker committed to heartfelt, unashamed emotional involvement with her characters. |
| Tampa Bay TimesHal LipperThe results may seem overripe and dated in spots, but she coaxes a fine performance out of Nolte, and the other actors (herself included) acquit themselves honorably. |
| Washington PostRita KempleyBarbra Streisand's lovely adaptation of Pat Conroy's bestseller echoes the novel's seductive cadences, the cries of summer gulls, the slapping of the Atlantic on the South Carolina shores. An emotionally satisfying film, The Prince of Tides loses some of the stuff readers hold dear, but the pull of the sea, its saltiness too, lingers. As a story of rebirth through self-exploration, it seems ideally suited to this season of illumination. |
| Deseret News (Salt Lake City)Chris HicksNolte is so good, if he doesn't win at least an Oscar nomination as best actor, it will be to the Academy's shame. |
| Austin ChronicleKathleen MaherStreisand's been in front of cameras so long she's thinks of them as mirrors. Luckily she has a good eye and it, more often than not, has the ability to look straight to the soul. |
| USA TodayMike ClarkGraced with fine performances and commendably biting off more than it can ever hope to chew, The Prince Of Tides is a rare slice of romantic moviemaking for all those grown-ups feeling ignored since Kramer Vs. Kramer last rattled their value systems. Best to take along your mother, a large box of hankies, and a hefty dose of salt. |
| Los Angeles TimesKenneth TuranTo her credit, Streisand has turned in a handsome, seamless piece of very traditional Hollywood direction. This is mainstream filmmaking at its main-streamest, smooth and glossy and reminiscent, in fact, of the kind of work Sydney Pollack did with Streisand in "The Way We Were" and without her in "Out of Africa." |