The Power of One
The Power of One

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The Power of One is an intriguing story of a young English boy named Peekay and his passion for changing the world. Growing up he suffered as the only English boy in an Afrikaans school. Soon orphaned, he was placed in the care of a German national named Professor von Vollensteen (a.k.a. "Doc"), a friend of his grandfather. Doc develops Peekay's piano talent and Peekay becomes "assistant gardener" in Doc's cactus garden. It is not long after WWII begins that Doc is placed in ... (Full plot summary below)

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Full Plot Details

The Power of One is an intriguing story of a young English boy named Peekay and his passion for changing the world. Growing up he suffered as the only English boy in an Afrikaans school. Soon orphaned, he was placed in the care of a German national named Professor von Vollensteen (a.k.a. "Doc"), a friend of his grandfather. Doc develops Peekay's piano talent and Peekay becomes "assistant gardener" in Doc's cactus garden. It is not long after WWII begins that Doc is placed in prison for failure to register with the English government as a foreigner. Peekay makes frequent visits and meets Geel Piet, an inmate, who teaches him to box. Geel Piet spreads the myth of the Rainmaker, the one who brings peace to all of the tribes. Peekay is cast in the light of this myth. After the war Peekay attends an English private school where he continues to box. He meets a young girl, Maria, with whom he falls in love. Her father, Professor Daniel Marais, is a leader of the Nationalist Party of South Africa. The two fight to teach the natives English as Peekay's popularity grows via the myth. Peekay loses focus until he sees the success of his language school among the tribes. Daniel Marais comes to stop Peekay's English classes and Maria is killed during the fight. He and Guideon Duma continue the work in hopes of building a better future for Africa.

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Movie Reviews

Seattle Post-Intelligencer - 8/10 by William ArnoldOn the one hand a captivating and inspiring tale of a boy's journey to courage amid searing injustice, pic often gives way to scenes of intense violence that are likely to bludgeon the very sensibilities it seeks to awaken.
Entertainment Weekly - 7/10 by Owen GleibermanThe Power of One spends so much screen time reveling in the eloquence and bravery of its hero and depicting South Africa’s blacks as an anonymous horde of victims that the film, in effect, becomes their victimizer.
Chicago Sun-Times - 6/10 by Roger EbertHow can you forgive a movie that begins by asking you to care who will win freedom, and ends by asking you to care who will win a fight?
The Seattle Times - 6/10 by John HartlCrude, patronising and mawkish, but rescued by excellent performances, beautiful landscape photography, and hard-to-argue-with themes of natural justice, delivered with a punch.
Rolling Stone - 6/10 by Peter TraversA violent cartoon that trivializes apartheid. If there's any justice, the birds of loneliness will be circling the box office.
Orlando Sentinel - 5/10 by Jay BoyarReducing the racist characters to the level of frothing-at-the-mouth Karate Kid villains doesn't shed much light on a serious social problem. (Louis Malle's portrait of the young Gestapo member in the 1974 Lacombe, Lucien came much closer to exposing the banality of evil.) And Avildsen doesn't make matters any better by staging scenes of racial violence so luridly that they almost amount to a form of exploitation.
Washington Post - 5/10 by Rita KempleyAn absorbing but awkward union of the two-fisted boxing movie with the moist-eyed British memoir...Though rife with worthy intentions and great notions, this populist safari manages to be both patronizing and manipulative.
Tampa Bay Times - 5/10 by Hal LipperIt's resounding bunk, candied over with the lush music of Johnny Clegg and hyped to death by director John ("Rocky") Avildsen.
Los Angeles Times - 5/10 by Kenneth TuranSeeing a movie that doesn’t know the meaning of shameless, that refuses to worry about plausibility, that acts as if subtlety hadn’t been invented yet, does have a very basic kind of intrinsically cinematic pull.
San Francisco Chronicle - 4/10 by Edward GuthmannThe film's facile treatment of racial issues may be enough to bring back the practice of throwing tomatoes at the screen.

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The Power of One