During the Afghanistan war, several outposts were placed to control the Taliban movement and their supply chain. Camp Keating, situated in a valley surrounded by mountains, was one them. While being shot at by the Talibans was business as usual, they tried to gain respect from local village elders and have them help stop these skirmishes. One day, when 400 Talibans rallied for a surprise attack, it was up to them to leverage the poor defenses and lack of ammo and manpower the... (Full plot summary below)
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During the Afghanistan war, several outposts were placed to control the Taliban movement and their supply chain. Camp Keating, situated in a valley surrounded by mountains, was one them. While being shot at by the Talibans was business as usual, they tried to gain respect from local village elders and have them help stop these skirmishes. One day, when 400 Talibans rallied for a surprise attack, it was up to them to leverage the poor defenses and lack of ammo and manpower they had, to ultimately survive and go back to their loved ones.
Leave your thoughts about The Outpost.
| Washington PostAnn HornadaySkillfully directed by Rod Lurie, this engrossing and deeply wrenching thriller dances the same fine line as most latter-day movies that want to honor service and sacrifice, without lapsing into empty triumphalism. For the most part, The Outpost balances those competing impulses, with a canny combination of unadorned bluntness and technical finesse. |
| Chicago Sun-TimesRichard RoeperLurie has fashioned a worthy tribute to these brave American soldiers, some of whom paid the ultimate price. |
| TheWrapSteve PondA riveting combat movie that aims to put viewers alongside American soldiers in the midst of one of the bloodiest battles in the long-running war, “The Outpost” takes the measure of what a few dozen men endured and finds heroism not in enemies killed but in compadres saved. |
| RogerEbert.comBrian TallericoWhile dozens of movies have sought to recreate the unimaginable horror of literally fighting your life, The Outpost connects more than most, thanks in large part to Lurie’s technical skill and a young cast that elevates what could have been overly familiar material. In particular, Scott Eastwood and Caleb Landry Jones do the best work of their respective careers. |
| IGNMatt FowlerThe Outpost is a cleverly, and respectfully, crafted war film that uses a segmented, episodic approach to help you invest in the characters while building up to a very impressive battle sequence. |
| Rolling StonePeter TraversThe Outpost gets it crucially right by bringing home the meaning of heroism as a collective action. The you-are-there ferocity of this sequence, brilliantly abetted by the prowling, handheld camerawork of Lorenzo Senatore, ranks with the best interpretations of combat on film. Your nerves will be shattered, guaranteed. |
| VarietyPeter DebrugeSuch a film may suffer from home viewing, and yet, The Outpost represents the most exhilarating new movie audiences have been offered since the shutdown began. |
| ReelViewsJames BerardinelliFor those who appreciate the genre, this is a better-than-average merging of technical craftsmanship, narrative coherence, and competent acting. |
| IndieWireDavid EhrlichAnother guns and glory war movie about young American soldiers having to shoot their way out of some rats nest they should never have been sent to in the first place, Rod Lurie’s The Outpost is a familiar but uncommonly visceral reminder of what it really means to “support the troops.” |
| New York PostJohnny OleksinskiThe Outpost really is not a movie of wit or soaring inspirational speeches, but of no-holds-barred emotion. A story of young men in their 20s, with dreams and loved ones back home, who had the courage to risk it all for each other. |
