The Merchant of Venice
The Merchant of Venice

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Venice, 1596. Melancholy Antonio loves the youthful Bassanio, so when Bassanio asks for 3000 ducats, Antonio says yes before knowing it's to sue for the hand of Portia. His capital tied up in merchant ships at sea, Antonio must go to Shylock, a Jewish moneylender he reviles. Shylock wraps his grudge in kindness, offering a three-month loan at no interest, but if not repaid, Antonio will owe a pound of flesh. The Jew's daughter elopes with a Christian, whetting Shylock's hatre... (Full plot summary below)

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Full Plot Details

Venice, 1596. Melancholy Antonio loves the youthful Bassanio, so when Bassanio asks for 3000 ducats, Antonio says yes before knowing it's to sue for the hand of Portia. His capital tied up in merchant ships at sea, Antonio must go to Shylock, a Jewish moneylender he reviles. Shylock wraps his grudge in kindness, offering a three-month loan at no interest, but if not repaid, Antonio will owe a pound of flesh. The Jew's daughter elopes with a Christian, whetting Shylock's hatred. While Bassanio's away wooing Portia, Antonio's ships founder, and Shylock demands his pound of flesh. With court assembled and a judgment due, Portia swings into action to save Bassanio's friend.

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Movie Reviews

San Francisco Chronicle - 10/10 by Mick LaSalleAn exceptional example of Shakespeare on film.
The Globe and Mail (Toronto) - 10/10 by Rick GroenA lean, stripped-down and unapologetically cinematic take on Shakespeare's work, an adaptation designed at each turn to diminish the mechanics of the comedy and to explore the depths of the pathos.
Dallas Observer - 9/10 by Melissa LevineRadford has made a gripping, highly cinematic adaptation of a gorgeous work of theater.
Philadelphia Inquirer - 9/10 by Carrie RickeyCollins and Pacino plumb the depths of acting, of Shakespeare, of the difference between law and justice.
The Hollywood Reporter - 8/10 by Ray BennettPacino gives a keenly measured performance, leading an excellent British cast through their paces in a richly colorful production that should please selective audiences and adds to the list of major film adaptations of Shakespeare's work.
Los Angeles Times - 8/10 by Kevin ThomasWhat Radford above all accomplishes in his filming of The Merchant of Venice is to suggest that, in essence, it is that most modern of entertainments: a dark - indeed, very dark - comedy.
Time - 8/10 by Richard CorlissPacino seems to recall, from his early Michael Corleone days, the power of whispered menace.
Slate - 8/10 by David EdelsteinThis Merchant of Venice comes roaring to life--when it stops, in effect, apologizing for its terrible anti-Semitic worldview and just gives itself over to some of the most furious courtroom drama ever written.
Washington Post - 8/10 by Desson ThomsonTo watch this movie is to not only appreciate the majesty of Shakespeare's poetics but to engage in a profound, subtextual dialogue with bigotry.
USA Today - 8/10 by Claudia PuigGiven the story's focus on religion and the intolerance that still rages in today's world, The Merchant of Venice remains deeply meaningful.

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The Merchant of Venice