The Master
The Master

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- 71/100 based on 129,245 votes

A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.... (Full plot summary below)

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A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.

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Movie Reviews

Boston Globe - 10/10 by Wesley MorrisNothing as big and strange and right as The Master should feel as effortless as it does. That's not the same as saying that it's light. It's actually heavy. It weighs more than any American film from this or last year. It's the sort of movie that young men aspiring to write the Great American Novel never actually write.
Total Film - 10/10 by Emma DibdinWith potent performers and poetic visuals, Anderson has made the boldest American picture of the year. Its strangeness can be hard to process, but this is a shattering study of the impossibility of recovering the past.
NPR - 10/10 by Ella TaylorWithout ever saying so, the movie adds up to nothing less than a social psychology of the nervous, spiritually questing geist of post-World War II America.
The Hollywood Reporter - 10/10 by Todd McCarthyTwo things stand out: the extraordinary command of cinematic technique, which alone is nearly enough to keep a connoisseur on the edge of his seat the entire time, and the tremendous portrayals by Joaquin Phoenix and Philip Seymour Hoffman of two entirely antithetical men
The Guardian - 10/10 by Xan BrooksThe themes may be contentious, but the handling is perfect. If there were ever a movie to cause the lame to walk and the blind to see, The Master may just be it.
Rolling Stone - 10/10 by Peter TraversWritten, directed, acted, shot, edited and scored with a bracing vibrancy that restores your faith in film as an art form, The Master is nirvana for movie lovers. Anderson mixes sounds and images into a dark, dazzling music that is all his own.
The A.V. Club - 10/10 by Scott TobiasIt's a feisty, contentious, deliberately misshapen film, designed to challenge and frustrate audiences looking for a clean resolution. Just because it's over doesn't mean it's settled.
The New York Times - 10/10 by A.O. ScottIt is a movie about the lure and folly of greatness that comes as close as anything I've seen recently to being a great movie. There will be skeptics, but the cult is already forming. Count me in.
Los Angeles Times - 10/10 by Kenneth TuranThe Master takes some getting used to. This is a superbly crafted film that's at times intentionally opaque, as if its creator didn't want us to see all the way into its heart of darkness.
Christian Science Monitor - 10/10 by Peter RainerThe performances by Phoenix and Hoffman are studies in contrast. Phoenix carries himself with a jagged, lurching, simianlike grace while Hoffman gives Dodd a calm deliberateness. Both actors have rarely been better in the movies. The real Master class here is about acting – and that includes just about everybody else in the film, especially Adams, whose twinkly girl-next-door quality is used here to fine subversive effect.

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