
When hotshot New York T.V. executive Charlie Moon is brought in to assess a struggling local station, children's show host Moxie Landon pitches him a documentary about menopause featuring her mother.... (Full plot summary below)
Enjoy FREE movies and series with your Prime (USA) subscription or when you start a 30-day free trial!
Links compiled using automated software. Availability of offers subject to change / might be region specific / out of date.
Sorry, we can't find any suggestions at the moment.
When hotshot New York T.V. executive Charlie Moon is brought in to assess a struggling local station, children's show host Moxie Landon pitches him a documentary about menopause featuring her mother.
Leave your thoughts about The M Word.
| Baret NewsKam WilliamsThe legendary Henry Jaglom proves as masterful as ever at creating fascinating characters designed to make you both laugh and reflect. |
| Slant MagazineChuck BowenLike a number of cult directors to emerge in the 1970s, Henry Jaglom values a party atmosphere at the expense of narrative cohesion. |
| The Hollywood ReporterFrank ScheckAlthough unlikely to make any new converts, The M Word should well satisfy the filmmaker’s small legion of devoted fans. |
| The New York TimesJeannette CatsoulisAs cavalier with structure as ever, Mr. Jaglom surrounds himself with familiars who embrace his cheery, disorderly style. |
| Village VoiceJonathan KieferIn The M Word, Jaglom smartly sees a parallel between midlife hormone upheaval and sudden workplace superfluousness, but his unstructured-gabfest approach makes rather a mess of it. |
| VarietyScott FoundasThe lively but wildly erratic result will surely please Jaglom’s winnowing fan base, while baffling most others and doing little to deter Jaglom himself. |
| Los Angeles TimesRobert AbeleJaglom is too spiritually and cinematically lazy to do anything but evoke glib, artless solidarity, and let us know he's heard of Twitter and Facebook. |
| New York Daily NewsElizabeth WeitzmanIndie stalwart Henry Jaglom's new film stumbles too often, and is too awkwardly earnest, to be considered a success. |
| New York Daily NewsJoe NeumaierThere are some nice moments of camaraderie, as Feldman and Imperioli do their laid-back thing and Fisher is feisty and warmhearted. Still, the let’s-all-talk-at-once actorliness wears thin. It’s just not worth the mood swings. |