The M Word
The M Word

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- 57/100 based on 76 votes

When hotshot New York T.V. executive Charlie Moon is brought in to assess a struggling local station, children's show host Moxie Landon pitches him a documentary about menopause featuring her mother.... (Full plot summary below)

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Full Plot Details

When hotshot New York T.V. executive Charlie Moon is brought in to assess a struggling local station, children's show host Moxie Landon pitches him a documentary about menopause featuring her mother.

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Movie Reviews

Baret News - 10/10 by Kam WilliamsThe legendary Henry Jaglom proves as masterful as ever at creating fascinating characters designed to make you both laugh and reflect.
Slant Magazine - 8/10 by Chuck BowenLike a number of cult directors to emerge in the 1970s, Henry Jaglom values a party atmosphere at the expense of narrative cohesion.
The Hollywood Reporter - 7/10 by Frank ScheckAlthough unlikely to make any new converts, The M Word should well satisfy the filmmaker’s small legion of devoted fans.
The New York Times - 7/10 by Jeannette CatsoulisAs cavalier with structure as ever, Mr. Jaglom surrounds himself with familiars who embrace his cheery, disorderly style.
Village Voice - 5/10 by Jonathan KieferIn The M Word, Jaglom smartly sees a parallel between midlife hormone upheaval and sudden workplace superfluousness, but his unstructured-gabfest approach makes rather a mess of it.
Variety - 4/10 by Scott FoundasThe lively but wildly erratic result will surely please Jaglom’s winnowing fan base, while baffling most others and doing little to deter Jaglom himself.
Los Angeles Times - 3/10 by Robert AbeleJaglom is too spiritually and cinematically lazy to do anything but evoke glib, artless solidarity, and let us know he's heard of Twitter and Facebook.
New York Daily News - 2/10 by Elizabeth WeitzmanIndie stalwart Henry Jaglom's new film stumbles too often, and is too awkwardly earnest, to be considered a success.
New York Daily News - 2/10 by Joe NeumaierThere are some nice moments of camaraderie, as Feldman and Imperioli do their laid-back thing and Fisher is feisty and warmhearted. Still, the let’s-all-talk-at-once actorliness wears thin. It’s just not worth the mood swings.

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The M Word