In the not-too-distant future, as a final response to terrorism and crime, the U.S. government plans to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts.... (Full plot summary below)
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In the not-too-distant future, as a final response to terrorism and crime, the U.S. government plans to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts.
Leave your thoughts about The Last Days of American Crime.
| The A.V. ClubJesse HassengerIn its final hour, The Last Days Of American Crime finally gets down to the business of its big heist, revealing both the propulsive entertainment value the filmmakers have been inexplicably stalling and the thinness of the whole enterprise. |
| IGNMatt FowlerEven without the content of 2020 making the film feel even more unpalatable, Netflix's The Last Days of American Crime is a distractingly dull dystopian thriller with drab (and/or extraneous) characters and a squandered premise. |
| EmpireIan FreerThe Last Days Of American Crime takes a potentially entertaining, if silly, premise and drains it of any reason to get invested. You can just imagine a John Carpenter would have doubled the thrills in half the time. |
| The Hollywood ReporterJohn DeForeA poorly imagined crime flick that comes nowhere near justifying its 2.5-hour running time. |
| Movie NationRoger MooreThe caper is routine, the twists don’t — twist. “American Crime” just lies there, a corpse awaiting reanimation that never comes. |
| VarietyPeter DebrugeIt’s an offensive eyesore in which looting and anarchy are treated as window dressing, law and order come in the form of mind control, and police brutality is so pervasive as to warrant a trigger warning. |
| IndieWireDavid EhrlichA braindead slog that shambles forward like the zombified husk of the heist movie it wants to be, The Last Days of American Crime is a death march of clichés that offers nothing to look at and even less to consider. |
| RogerEbert.comBrian TallericoThe only crime here is cinematic. It’s not often one sees a film as vile, ugly, and deeply incompetent as Olivier Megaton’s The Last Days of American Crime. |
| New York Magazine (Vulture)Bilge EbiriEven if it had been released at a less tense and tender time, this thing would go down like an oversized flaming lead balloon. |
| Rolling StoneDavid FearThe idea of putting these images out there at this very moment, and pimping it out as “entertainment” is, frankly, nauseating. It goes from being a crime against an art form to something a little more toxic. No. Nope. Nuh-uh. Netflix, what the hell were you thinking? |
