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Leave your thoughts about The Lair.
| RogerEbert.comSimon AbramsThe action filmmaking, from interstitial chases to fight choreography, looks good, and so does the monster and its practically-effected victims. |
| Los Angeles TimesNoel MurrayThe Lair doesn’t finish as spectacularly as it starts; but that just means it’s a good genre picture and not a great one. |
| The New York TimesJeannette CatsoulisLively, noisy, dark and daft, this gloopy creature feature from the British director Neil Marshall plays like a loose, if vastly inferior callback to his two best films, “Dog Soldiers” (2002) and “The Descent” (2006). |
| Paste MagazineMatt DonatoThe Lair is an abomination of bad accents (“Texan American” yee-haw, “Unintelligible Englishman,” Australian muddying both), excruciating action hero one-liners, and discouragingly archaic plot choices. |
| User ReviewPanchogulDe lo peor del año, no queda ningún rastro de quien alguna vez dirigió El Descenso. |
