The Lady Vanishes
The Lady Vanishes

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Passengers on a scheduled train out of the mountainous European country of Mandrika are delayed by a day due to an avalanche, and thus get up close and personal with each other out of necessity in the only and what becomes an overcrowded inn in the area. Once the train departs, the one person who it is uncertain is on the train is a middle aged English governess named Miss Froy (Dame May Whitty). Iris Henderson (Margaret Lockwood), who was vacationing in Mandrika with girlfri... (Full plot summary below)

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Full Plot Details

Passengers on a scheduled train out of the mountainous European country of Mandrika are delayed by a day due to an avalanche, and thus get up close and personal with each other out of necessity in the only and what becomes an overcrowded inn in the area. Once the train departs, the one person who it is uncertain is on the train is a middle aged English governess named Miss Froy (Dame May Whitty). Iris Henderson (Margaret Lockwood), who was vacationing in Mandrika with girlfriends before heading back to England to get married, is certain that Miss Froy was on the train as they were in the same compartment and they had tea together in the dining car, but all those people who can corroborate her story don't seem to want to do so. Iris' thoughts are easily dismissed as a possible concussion as Iris was hit over the head just before boarding the train. Iris will take anyone's help in finding Miss Froy, even that of an Englishman named Gilbert (Sir Michael Redgrave), a musicologist with whom she had a not so pleasant encounter at the inn the evening before. As Iris and Gilbert go on their quest throughout the train, they believe there is a conspiracy amongst many of the passengers against the validity of there being a Miss Froy. But if there is a conspiracy, Iris and Gilbert still have to find Miss Froy and find out why anyone would want to kidnap a middle aged English governess.

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Movie Reviews

Variety - 10/10 by Variety StaffThis film, minus the deft and artistic handling of the director, Alfred Hitchcock, despite its cast and photography, would not stand up for Grade A candidacy.
The Observer (UK) - 10/10 by Philip FrenchIt's the greatest-ever comedy-thriller, the greatest film set on a train, a faultlessly cast mirror held up to the nation in the year of Munich.
Sky Cinema - 10/10 by Elliott NobleNaturally, nobody builds suspense like 'The Master', but the appealing team of Lockwood and Redgrave receves sterling back-up from twinkly Dame May and Cecil Parker as the spineless adulterer.
Video-Reviewmaster.com - 10/10 by Steve CrumMaybe the best of Hitchcock's early, pre-USA productions.
The A.V. Club - 10/10 by Tasha RobinsonIt's typical Hitchcock: taut, morbid, stylish, and determined to confound expectations all the way up to the final shot.
Chicago Tribune - 10/10 by Michael WilmingtonThis is vintage Hitchcock, with the pacing and superb editing that marked not only his 30s style but eventually every film that had any aspirations whatever to achieving suspense and rhythm.
Slate - 9/10 by Nathaniel RichThe more secure the audience feels, the more susceptible they are to the horrors of disruption Hitchcock will visit upon them later in the film.
Slant Magazine - 9/10 by Arthur Ryel-LindseyIn less skilled hands, the film’s slow start would be a problem. Thanks to thrilling visuals and an effortless performance by Redgrave, Lady Vanishes is a lively companion piece to Hitchcock’s other magnificent British-made hit, The 39 Steps, about an innocent man mistaken for a spy.
Monthly Film Bulletin - 9/10 by MFB CriticsAlfred Hitchcock has directed The Lady Vanishes with all his individual expertness of touch and this is an out of the ordinary and exciting thriller.
Philadelphia Inquirer - 9/10 by Desmond RyanThe formula of an innocent thrust into a nightmare would fascinate Hitch for decades to come, but here he packs the tale with strong characters and important details.

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The Lady Vanishes