Klute
Klute

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- 71/100 based on 28,178 votes

Six months after the disappearance of Tuscarora, PA businessman Tom Gruneman, his boss, Peter Cable, and his wife, Holly Gruneman, hire Tom's friend, private detective John Klute to find out what happened to Tom, as the police have been unable to do so, and despite John having no expertise in missing persons cases. The only lead is a typewritten obscene letter Tom purportedly wrote to Manhattan actress/model/call girl Bree Daniel, who admits to having received such letters fr... (Full plot summary below)

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Full Plot Details

Six months after the disappearance of Tuscarora, PA businessman Tom Gruneman, his boss, Peter Cable, and his wife, Holly Gruneman, hire Tom's friend, private detective John Klute to find out what happened to Tom, as the police have been unable to do so, and despite John having no expertise in missing persons cases. The only lead is a typewritten obscene letter Tom purportedly wrote to Manhattan actress/model/call girl Bree Daniel, who admits to having received such letters from someone, and since having received several mysterious telephone calls as well. The suggestion/belief is that Tom was one of Bree's past johns, although she has no recollection of him when shown his photograph. Bree's tricking is both a compulsion and a financial need. In their initial encounters, John and Bree do whatever they can to exert their psychological dominance over the other, especially as Bree initially refused to even speak to him. Despite their less than friendly start, they embark on a personal relationship based on emotional need, but it is a relationship Bree tries to sabotage because of those same issues which causes her to turn tricks. As they follow the leads through Bree's call girl world, they know they're getting close to finding the truth when someone continues to torment Bree. They believe the key to Tom's disappearance is a violent john who tried to kill her a few years earlier when Tom disappeared but who she doesn't remember. The questions become whether John and Bree can discover his identity and stop him before he tries to kill Bree again, and whether there is a future for them together.

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Movie Reviews

Spirituality and Practice - 10/10 by Frederic and Mary Ann BrussatAn exciting murder-mystery story that serves as a fascinating study of the complex inner life of an attractive call girl, played by Jane Fonda.
TIME Magazine - 10/10 by Jay Cocks[Fonda] makes all the right choices, from the mechanics of her walk and her voice inflection to the penetration of the girl's raging psyche. It is a rare performance.
BBC.com - 10/10 by David WoodKlute still perhaps stands as Pakula's finest moment. Informed in part by the conventions of film noir - duplicitous female, ambitious private investigator, and murky goings on of the sexual variety - Klute manages to distill them all into something highly original and distinctly unsettling.
Slant Magazine - 9/10 by Chuck BowenPakula’s seminal detective thriller, which is truly a piercing examination of loneliness.
Austin Chronicle - 9/10 by Marjorie BaumgartenFonda (who received an Oscar) and Sutherland are at the top of their game in this mystery/thriller that also provides a fascinating look into the mind and soul of a top NYC call girl.
The Observer (UK) - 9/10 by Philip FrenchDonald Sutherland works small and subtly, balancing Jane Fonda's flashy virtuoso technique.
The A.V. Club - 9/10 by Beatrice LoayzaNearly 50 years since it premiered, Klute still offers relevant feminist considerations about what it means to want to be an object of desire while also lashing out against the people and the patriarchal system that only values you as such.
Kalamazoo Gazette - 9/10 by James SanfordFonda's riveting performance is impossible to shake
Chicago Sun-Times - 9/10 by Roger EbertIn Klute you don't have two attractive acting vacuums reciting speeches at each other. With Fonda and Sutherland, you have actors who understand and sympathize with their characters, and you have a vehicle worthy of that sort of intelligence. So the fact that the thriller stuff doesn't always work isn't so important.
Antagony & Ecstasy - 9/10 by Tim BraytonOne of the most important and influential movies of the early 1970s.

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